Chapter 870 Doomsday Poetry

Yago checked carefully, and it was indeed in Yalf language.

But why does Yarph appear here?

Isn't this the "book world"? Is there a mirror world somehow related to "Sea of ​​Ignorance"?

From all the information he has learned, Atile even told him clearly that the "world in the book" is the "sea of ​​ignorance".

And Yarphic.

Church, Rosary Church.

Yarphic is a divine script derived from the Church of the Rose.

Although the source of the divine text is "the text created by the Extraordinary race after being inspired by the gods", this statement has not been confirmed in the situation where everything has been greatly subverted, but from this point of view, it belongs to the rose path. .

The material world is "the kingdom of the goddess" and "the sea of ​​flesh and blood that drowns everything".

Yago still remembered everything described by the "dancing girl" who mentioned the "Pillar of Life" and the "priest of the Deira Empire" in the mechanical city of Wawei.

That strange, like a "world tree", like a description of the world structure of Nordic mythology.

Although everything that happened at that time has not been confirmed by anyone else, but there is no evidence against it from various information. On the contrary, Atile's description and the description of the blood feast emperor are side evidence of all this.

The material world is a mirror world, which is called "the sea of ​​flesh and blood" and "the forest of blood feast".

The world of books and the sea of ​​ignorance are also mirror worlds.

According to the various information he has obtained, the power of different channels cannot be used in different mirror worlds.

For example, in the world in the book, the power of his probability path and necromancer path were suppressed, and only the cognitive power due to the sequence shift was preserved.

This should have something to do with the world in the book as the source of the power of the "secret" pathway.

This situation is consistent in the established lake and the mechanical city.

No, not right.

Yago paused for a moment.

The mirror world he went to experience can be accurately divided into two categories.

The first category is to suppress the power of other pathways except the corresponding pathway.

The second category is the world that will continuously erode the assimilation target and transform the target into the corresponding path.

The first category, such as this world in the book, such as "Eternal Nightmare", or the Temple of Ruins?

Yago was slightly taken aback.

He suddenly remembered the ruined temple where the bell tower stood.

The second category is the situation that there is no ability to suppress other pathways, or it is suppressed in the form of "erosion", constantly eroding and assimilating the target.

Like the machine city.

No, should it say "fantasy world"?

In that mechanical city, Yago saw the grand utopia that many people had hoped for that could not be realized in the previous life.

It's just that it's in a mechanical form.

The word "Utopia" originally meant "a fantasy country" and "ideal country" in his previous life.

And the grand social scene seen in the Machinery City, the ideal society that many people yearn for.

Platonic, Hippodamian, Thomas More,

Yago shook his head quickly and put aside the thoughts in his head.

The mechanical kingdom, the "true" "Arabella", manifests its power in the nature of assimilation rather than suppression.

And similarly, if classified according to this method, then the "material world" can also be classified.

The reason why Yago didn't think that the material world is a mirror world before is that all kinds of power can be used in the material world, and there are no phenomena such as "erosion" and "assimilation".

but now.

flesh.

Yago looked at his palm.

Would it be a kind of "erosion" to have flesh and blood? A kind of "assimilation"?

When this idea came up, it was out of control.

"Divinity" can directly trigger the effect of extraordinary power

What he first learned, from Uncle Sandor, was—

"Shenwen is a text inspired by God, which represents the power of God"

But from the present point of view.

Does "Shenwen" come from the power of "God" or the power of "Mirror World"?

But no matter what, it must be related to the corresponding path, and the source of power of the corresponding path—the mirror world.

Some Beyonders of the corresponding path can use spells by chanting divine inscriptions.

This situation is also a side proof.

Under this logic, why does the "book world", which corresponds to another path, appear in the mirror world, which should correspond to "material world" and "forest of blood feast"?

No. It's just words, and there's no reason why it's impossible.

The "sacred text" itself is only a method of attracting power, "reciting the divine text" and inscribing the divine text injects "pollution" in order to truly attract power.

Yago rejected the preconceived idea that "due to the exclusivity of the mirror world, divine writing cannot appear in the non-corresponding mirror world".

Moreover, this can also be proved from the side of the material world——

There are various gods and powers in the Material Plane.

However, he is not sure whether the "material world", the "sea of ​​flesh and blood", and the "forest of blood feast" themselves have the characteristic of "tolerance".

At the very beginning, he heard——

"The goddess embraces everything and accepts all living beings".

Thinking about it now, the "speciality" of the "mirror world" in the material world compared with other mirror worlds is also a side evidence.

Although this evidence is not sufficient.

His eyes fell on the "poetry" on the wall.

"We've come here, and the old script is still there."

"Empires rise, prosper and fall."

"People die from generation to generation, strong or weak."

"The flames of the disaster destroyed one country after another, and new births alternated, countless."

"However, the giant wheel that rolls forward will never stop."

"The end will come."

Doomsday prophecy?

To be honest, there are so many sayings about the end of the day in various myths that they are "rotten streets".

The evening of the gods in Norse mythology, the great flood of Sumer, the last judgment of the gods in Egypt, influenced by Sumer and Egypt, the Hebrew flood ark, the last judgment of Tianmou religion.

Going to the east, there is Gonggong knocking down Buzhou Mountain in China, and India also has the myth of drought and doomsday.

Going to America, Aztec mythology has the doomsday myth of the sun being destroyed and reborn.

Floods, droughts, and storms, according to Yago's understanding, in the ancient times when knowledge was scarce, the factors that were most likely to become doomsday myths were climate, a disaster that could have a large-scale impact on life.

Coupled with the fact that primitive religions tend to be intimidating, doomsday legends can be said to be very common in various myths, especially those in oblique and religious religions, where one can basically find one.

But, the question is, why is there this type of poetry here?