Chapter 2129 Chinese Culture Remains Unchanged

Latest website:    "Everyone, how about we look at it later? Drink mutton soup."

In the evening, Li Yi brought his feasibility analysis report and two sets of plans, which were printed and had charts in them.

As a result, a group of ministers refused to eat and insisted on looking at it first.

Li Yi advised that it would be the same if he looked at it after eating, and he couldn't escape.

After that, he ate by himself, boiled three taels of white wine, drank mutton soup and beer, but it was obviously not okay. He couldn't drink it, and his stomach was so big.

"Gangrou, what you wrote, oh, the red orange in the south of the Yangtze River that you copied, is the format of Yuefu, and I was deeply touched when I heard it."

Zhang Jiuling brought mutton soup to Li Yi, and here were Princess Yongmu and Xiaolan.

Li Yi blushed slightly: "Yes! It's the same as the long song of the Han Dynasty Yuefu."

"Not bad." Zhang Jiuling nodded; "The green sunflowers in the garden, the morning dew waits for the sun to dry. The spring brings blessings, and all things are glorious. I always fear that the autumn season will come, and the flowers and leaves will wither. When will the rivers flow east to the sea and return west? If you don't work hard when you are young, you will be sad when you are old."

Zhang Jiuling said it casually, and the red oranges in the south of the Yangtze River are just this rhythm and expression.

There is no difference between the expression and writing of the two.

Zhang Jiuling didn't know that this was written by him later and copied by Li Yi.

The so-called long song has two more sentences than the seven-character regulated verse, but it is not a song. Song is another kind, such as the song of regret, the night of spring river flowers and moon, the song of the pipa, and the long ganxing.

The peacock flies southeast and there is a high building in the northwest, which also belong to the long ganxing of Yuefu.

Including the later works written by Tang Bohu, such as Taohua An in Taohuawu and Taohua Xian in Taohua An...

"Brother Jiuling, don't drink soup with oil. Sleeping at night is not good for your health."

Li Yi was a little embarrassed because he copied the poem of the person opposite him.

But Li Yi didn't feel inferior. Would he feel inferior if he copied someone else's work? It's not that he can't write, he just wanted to save time.

He was not afraid of the literary heritage of the Tang Dynasty. Even if he didn't copy, he could still write by himself.

But it was meaningless. The most important thing was that the people lived a good life.

If you have time to write a thousand-character regulated verse, you might as well write a plan for the application of local resources.

"You should drink less soup, right?" Zhang Jiuling didn't know that Li Yi copied his work, so he asked seriously.

"That's right. Don't drink so much soup unless you go to bed an hour and a half later.

If you drink, remember to drink an hour in advance, otherwise you have to get up at night and continue to drink water if you are thirsty.

The next morning, affected by your biological clock, you wake up confused and uncomfortable. You are obviously hungry, but you don't want to eat."

Li Yi said patiently, either you don't eat too much or you don't drink too much.

If you eat and drink, you will vomit without waiting for the next day, and then start to feel uncomfortable.

Zhang Jiuling nodded: "Is what you are learning now too deep, little guy?"

"The depth of learning is related to what you say. The Journey to the West I copied is fun if you look at it superficially, but politics if you look at it deeply.

The Romance of the Three Kingdoms I copied is different from the Records of the Three Kingdoms. The Romance of the Three Kingdoms is extremely exaggerated.

However, it reveals human nature more thoroughly, which is the essence of the Romance of the Three Kingdoms.

You look at it as a story, it is not deep, you just think Zhuge Liang is powerful, Zhou Yu is a foil, but in fact you and I understand it.

The things in the story are yes, yes, no; the things in the story are no, no, yes and no?"

Li Yi connected a lot of content, including the song in the TV series, and the last sentence of the lyrics, he said it in the form of a question.

'Yes and no.' and 'Yes and no?' have two meanings.

The first is an attributive sentence, even if it is, I can also say that he is not.

The second is a rhetorical question, 'Yes and no?' is equivalent to 'Are you right? ’

Zhang Jiuling nodded again: "What Yuan taught should be based on the age of the child?"

"What else? He couldn't understand what you told him? Could it be 'He likes to read, but doesn't seek to understand deeply; every time he understands something, he forgets to eat happily.'

The little guy can't reach this level yet, so he can't be asked to seek to understand deeply.

What you teach and impart must make him understand directly. Even if you tell it with a story, you must make it clear what you want to teach."

Li Yi made it clear that if you let you teach, you must explain it clearly to the little guy.

He also said: "What does it mean to read well without seeking to understand it thoroughly? When you understand something, you will happily forget to eat?

To put it bluntly, it means: you don't know the meaning of the music when you first hear it, but you will be the one in the music when you hear it again.

When you first hear it, you don't seek to understand it thoroughly. After experiencing some things, you will understand it, and the impact on your mind will be the greatest.

So, you will happily forget to eat.

But our little guy can't do that, just like: life is originally a dream, don't blame the negative attitude of life being a dream.

The little guy should be like the bright sun, shining in all directions, not like the colorful clouds chasing the moon, sad and depressed."

Li Yi has set the tone. You can teach, but don't teach blindly.

If you dare to teach the little guy to be an artist, I will turn you into a work of art.

The terminology of his setting the tone is actually the tuning of the chimes after they are made. Use a hammer to hit the key position and set the tone with one hammer.

When playing, if the Western symphony is tuned with violin, then the A of the small group of the first violinist is the tuning.

In theory, all instruments should be adjusted according to this tone, including the piano.

It was not the piano at first, but the popular organ of church music.

"Colorful clouds chasing the moon?" Zhang Jiuling had a need for a noun after understanding Li Yi's meaning.

"Lijia Zhuangzi has it. It has two connotations, the moon and the colorful clouds, one can come out together, and the other cannot come out together. What about the "Dajia" of the southern music? Let's have a colorful cloud chasing the moon, just in time for us to drink mutton soup."

Li Yi arranged it directly, let's listen.

"Colorful Clouds Chasing the Moon" is a minor key, so it can't be a grand scene of clouds and moon appearing together, it must be a graceful style.

The appearance of the minor key mode gives people a feeling of crying and complaining.

Li Yi also doesn't understand why some people describe the song "Colorful Clouds Chasing the Moon" as a song of colorful clouds and moon appearing together, which should be a grand scene.

But looking at the melody, how can it be grand? Let a minor key be grand?

"Jasmine Flower" is a minor key, and "My Motherland and Me" is a major key.

No matter how "Jasmine Flower" is played, it will not be the same as "My Motherland and Me".

But is there a minor key that can turn people into a grand scene of a major key? Yes!

"My Motherland", this is quite unreasonable, you are obviously a minor key, how can you suddenly say "This is the beautiful motherland..."

But "Colorful Clouds Chasing the Moon" is not, absolutely not.

That is to say, the composer of "My Motherland" is very familiar with Western symphony, including opera, the most classic of which is Carmen.

The whole opera of Carmen contains too many musical forms and modes.

Li Yi thought so, and a group of people began to perform, not just the "big names" of Pingkangfang Nanqu that he named.

Including the Chinese, Northern, and Sigongfang, they performed together.

Who stipulated that the Pingkangfang Northern Opera can only talk on the bed? They just can't compare with the Southern Opera in many cases.

Today is the sixteenth, the moon has just risen, and everyone is having dinner, and Caiyun chasing the moon is just right.

"Brother Yi, dance with me?" Li Longji probably drank too much soup, and stood up to invite Li Yi to dance together.

Li Yi quickly ate a piece of mutton and stood up: "As my third brother wishes."

He went over to dance with him, wearing a white coat.