Chapter 353 Simple and Rude

(Recently, I have been in a mess. After my daughter finishes drinking, she will gradually return to the third watch. Please forgive me. As a new father, my life and biological clock have been completely messed up.

][..])

"Protest! I want to lodge a solemn protest against your overtime use of animal actors!"

During the break, Murphy walked to the periphery of the set to communicate with the husky trainers. James Morse, who was stopped by the security personnel led by Rosa Rodriguez, almost shouted at the top of his voice, "You must stop shooting immediately. , otherwise the Dog Lovers Association will definitely get involved..."

These voices were really disturbing, and Murphy couldn't communicate with the trainer at ease. He frowned and looked over there, and simply led the husky trainer over there.

"Director Stanton," James Morse saw Murphy, as if he had killed his own father, struggling to break through the blocking of two big-waisted security personnel, but unfortunately his body was too weak to make it through Come on, I had to continue to shout, "I want to lodge a solemn protest with the crew..."

"What's the protest?" Murphy waved his hands at the two security guards.

The two let go of James Morse, but also stared at him closely. Who knows what these lunatics will do on impulse.

In their eyes, James Morse can be classified as the unreasonable kind of people.

James Morse restrained his voice slightly when he saw Murphy, "Protest against your use of animal actors over time!"

"Overtime use?" Murphy shook his head disdainfully, "The filming of the crew fully complies with the laws and regulations of this country."

"but……"

This annoying guy wanted to speak again, but was interrupted by Murphy directly, "Mr. Morse, please produce tangible evidence, and then communicate with the legal counsel of the crew."

James Morse was stunned for a moment. One of the most basic conditions for him to enter the studio is to temporarily hand over any recording and camera equipment. [Fights Break the Sphere]

There is no actual video material, and his mouth alone is not convincing at all. Other people in the studio...

He looked around, and the gazes cast by those people were faintly hostile.

However, when James Morse glanced over Murphy, he saw the trainer following him, as if he had discovered a new world, pointing at the trainer and shouting excitedly, "He! He can help me testify!"

He looked at the trainer, and if he would testify, the Dog Lovers Association and Animal Protection would soon be involved.

Without turning his head, Murphy asked, "Gibbs, did the crew use your husky actor overtime?"

"No! Absolutely not!" The trainer named Gibbs swore immediately, "I've been counting the time, and the shooting just now lasted forty-three minutes, definitely not exceeding the stipulated forty-five minutes."

James Morse didn't expect the trainer to talk nonsense with his eyes open at all, and he froze there for a while.

Murphy didn't bother to look at his shocked expression, so he gave Rosa Rodriguez a wink, turned and walked towards the set, and the trainer Gibbs followed.

James Morse came back to his senses and looked angrily at the backs of Murphy and Gibbs, as if they had killed his whole family.

Back on set, Murphy nodded to Gibbs, "Let's continue."

He never worried about the issue of trainers. Hollywood has its own set of operating rules. These companies that provide animal actors are also part of Hollywood. If they break the convention and stand on the opposite side of the crew, other crews in the industry will cooperate with them in the future. , certainly raises considerable concerns.

For any crew, extra shooting and delayed work are the norm. [Indestructible Dragon Emperor]

Another point is that in the agreement signed by the crew and the owner of the huskies, there is also a reward for completing the work according to the date specified by the crew, just like the rewards for actors, the amount is also expensive.

In front of these, in fact, there is no need for Murphy and the crew to raise points.

Trainers aren't stupid enough to side with guys whose brain circuits are different from ordinary people.

With that little trouble out of the way, Murphy continued filming the direwolf scene.

The previous shootings have proved that it is not easy to make such a stupid and cute husky into a wolf. There are still many scenes in the future. Turn into a wolf in the camera, but try to be as plausible as possible.

Moreover, there is no such strange creature as the direwolf in the real world.

Murphy first made a fuss about husky photography. Silhouette photography is a universal concealer. He asked people to use headlights to create a large backlight on the far background of the husky, and the details of the husky's face were well hidden. Only the shape close to the wolf shape was retained; the film crew was also more cautious in the use of scenes, shooting some dynamic local close-ups, and the effect of shadows also contributes to the shaping of mystery and deterrence.

The second is motion control. When shooting, Murphy will let the owner of the husky use bait to tease the dog at the right time, let the husky stick out its tongue, jump, open its mouth, etc., and use slow motion to capture these actions. Take a lot of shots, and there are always useful ones; I also let the actors and huskies be in one frame, and the focus alternates back and forth between the actors and huskies, using the performances of the actors and the tense atmosphere to make up for it and create the illusion of wolves;

There is also essential material processing. The shot will be preliminarily processed on the set. For all wolf-related scenes, Murphy will use relatively fast camera cuts, so that the huskies will not show their timidity, and at the same time, real wolves will be cut into the clips. The flashbacks, symbolic shots, and the running horses, the tense eyes of the actors, and the tense dynamics constitute a relatively tense conflict paragraph.

In the final post-production stage, the sound effect processing link was added, and the dull howl of the wolf was used throughout. With the rhythm of the editing, the tense background music can effectively shape the image characteristics of the wolf.

The husky-related scenes were filmed until mid-December, when the trainers left Belfast with the dogs and headed to Malta, where they joined Paul Wilson and Seth Rogen, who each led a team for filming .

After finishing the scene about the direwolf in hand, Murphy began to let the main actors join the group on a large scale, preparing to shoot a few action scenes.

Although this is a fantasy series, magic, martial arts, duels, and wars are all for the plot, and limited to investment, Murphy will not shoot those super scenes, and there are relatively few action scenes.

Westeros is a fictional country, and the whole series must have a feeling of being in the Middle Ages, and the magic color must be quite weak, at least in the first season, there should not be many magic elements.

In the episodes planned by Murphy, just like the original book, the ghosts who can't see the beginning and the end, and the legend of the dragons of the Targaryen family will be the most magical places in the entire episode.

"The exquisite presentation of details and background will keep the whole show as true as possible. The bodies, talents, and fighting skills of the characters of all races, without exaggerated superpowers, are not much different from real characters."

At the script meeting before shooting the action scene, Murphy said, "A very real fantasy will make "Game of Thrones" have both real and fantasy charms."

There is also the problem of scale. This is only the first season, and it will be broadcast on Fox Cable in the future. Not to mention, the large-scale lens will make the whole series more attractive. Every episode of "Game of Thrones" will inevitably There are several bold shots.

Just as writers who feel compelled to do something to keep their readers' fading interest going to bed, they can use the same reasoning to question hard-boiled scenes in a show and justify them by the background of the story. Similar to Ming, not yet civilized enough, with untamed savagery and unrestrained instincts, all of which prompted Murphy to retain a large area of ​​the fucking side of the play as before.

However, Murphy will also make appropriate adjustments. All these shots cannot affect the solemn tone of the entire episode. Like modern people looking back at the Ming Dynasty, most of them will feel strong, fresh and happy.

The carrier of movies is the big screen, which can present epic pictures, while the carrier of drama series is the small screen. Compared with movies, there are natural defects in presenting magnificent scenes.

Throughout the filming of "Game of Thrones", there were no large-scale war scenes. For large-scale wars involved in the plot, Murphy will adopt the "Reservoir Dogs" approach, that is, only describe the cause and effect of action scenes.

Although the production cost of the crew is high, it cannot be compared with Hollywood's big-budget commercial films. Rather than filming with limited resources, it is better not to shoot.

You can't create spectacle scenes, but you can take advantage of the length to create epic stories and present the characters and events in detail.

Murphy intends to make "Game of Thrones" a good example of this, using the vagaries of the long narrative to achieve a truly epic work.

Then there is the specific action design. This is a typical Western-style epic like the "Lord of the Rings" trilogy. It must not use the advanced Hollywood popular action design based on kung fu. Murphy specially recruited several traditional movie swordsmen Master, used to train actors with action scenes, and personally took charge of the shooting of most action scenes.

To put it simply, what Murphy wants is a simple and rough fight, not fancy action design.

With the shooting of action scenes, more and more actors began to join the crew. Jessica Alba also came to Belfast from Los Angeles. In fact, there is no essential difference between the big-name actors in Hollywood and those on the other side of the Pacific Ocean. Often also worn by many people.

Jessica Alba, for example, brought her new boyfriend to the set in Belfast.

As long as it does not affect the normal filming of the crew, and it is not in the period of secrecy, Murphy will not prohibit the relatives and friends of the actors from visiting the crew.

But when Jessica Alba introduced her new boyfriend to him, Murphy always felt that this man seemed to have some impressions, and this impression came from the other side of the Pacific Ocean. (To be continued.)

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