Chapter Two Hundred and Nineteen Into the Group

Mason-Robert heard that Lehmann said that he would enter the group early, and he lost his mind to stay.

He chatted with Jake Gyllenhaal for a few moments, and then prepared to leave for Los Angeles. Before leaving, he said goodbye to Lyman, "Director Lyman, if something happens to you, maybe William Morris will be a good one. Choice. This is my personal phone."

Well, as an agency, William Morris, of course, is also very interested in a valuable director like Lehmann.

Lehman took it with a smile, but said nothing.

CAA is still good to him right now, and he has never thought about changing his home.

But, it's not too much to leave an alternative, right? If CAA has other ideas, he won't be happy.

Then, Mason-Robert waved and left with his purse.

Lyman and Jake Gyllenhaal were the only two left in the room. He beckoned: "This is the script, you should read more."

Jack took the script and said quickly, "I will."

A few days later, after saying goodbye to Li Press, Lyman took Heath Ledger and Michelle Williams with her—she played a supporting role, and her role would be stronger than that of the trickster, but others also Happy, is it the so-called men and women in love, can I understand. Then there was Jake Gyllenhaal, and the group took another flight to Paris.

In other words, Lehmann has never even been abroad in his last life, but in this life he has been diligent in going abroad, wandering around France and the United States.

On the set of Annecy, Lyman arranged for the cast to meet again.

After all, many of these main creators are unfamiliar, and it is quite appropriate for them to promote their feelings before shooting. Will it feel good to shoot like this?

The meeting place was arranged at a hotel in the town.

Between strangers, obviously eating, drinking and chatting, it will be easier to get acquainted with each other.

By the time Lehman arrived, it was already there.

Sophie Marceau also came over from Paris on purpose.

"director."

"Lyman."

Everyone greeted, and Lehman responded one by one.

For him, of course, they are all familiar.

Heath Ledger and Eva Green have collaborated more than once, and the relationship is even more intimate.

As for the remaining few, he personally found them.

Soon, the food and wine came.

After three rounds of wine, the glass was changed, and the atmosphere became a bit lively.

Everyone chatted, and Lehmann tried his best to explain his shooting ideas and the effect he wanted to achieve.

Several people have read the script, and Sophie and Eva have been thinking about it for a longer time.

The next day, "Micro Love" officially started filming.

......

In the Fischerka Castle, the artificial warm color filter, soft white light and faint yellow light source are illuminated in the room together, creating a very warm picture.

Different from some film directors who love natural light, or the natural and real tone that many literary directors like to play, it is the kind of documentary-style light effect. Lyman prefers artificial lighting.

He likes to use the warmth and lightness of light to contrast the emotions of the characters or the advancement of the plot.

"Thomas,

The shot here is to use a medium shot to shoot the general room configuration. This is a close-up shot. Later, you will take control of this camera position and capture the character. Lehman said the requirements for the camera he needed, and immediately said to the waiting actors: "Okay, you can rehearse twice first, it is estimated that it will take a while. "

After the confession, he shouted without looking back, "Ryan?"

Thomas had to put down his work and said, "He just went down the mountain, and the generator we want hasn't arrived yet."

Lyman stopped his voice, raised his right hand and stroked his forehead, "Thomas, have you communicated with the set crew? Wait for your camera to move, and let them cooperate with you."

"Well, I know, I'll do it right away."

Just as Leiman was about to order something more, a field worker came over, "Director, can you see this plate?"

"Crush a little more, and sprinkle some porridge on the ground, it looks a little messier..."

After the scene was set up, Lehman directed the recording equipment to position it so that it would not be detected by the camera.

Then Jake Gyllenhaal, wearing a set of casual home pajamas, also walked in, with a little makeup on his face, looking very weak.

He lay on the bed as the script wrote, frowning.

The surrounding curtains and curtains were quickly put down, and the room was suddenly dark.

"get ready."

Lehman shouted and immediately returned to the back of the director's monitor.

Even though this is his fifth work, he still looks full of interest.

The scene was changed to France in 2003. A rich boy was permanently paralyzed in his lower limbs due to a car accident.

In order to take care of his son's life, his mother is going to recruit a nanny.

It was daytime, but it was raining heavily.

Of course, it wasn't raining outside when we were shooting now, but as long as you use a computer to edit the relevant sound effects on the audio track during post-production, it's fine. It's not a hassle.

It can be said that with the continuous development of these technologies, the visual effects of Hollywood blockbusters will only get better and better, which is why they can sell well all over the world.

This rich boy is naturally played by Jake Gyllenhaal, and he is played by Eva Green.

As for several other roles, such as the parents of the rich boy, they also found two French actors to play, which were recommended by Europa Films. They often deal with local actors, and they are very clear about which actors are suitable for which roles, which also saves Lyman a lot of effort in selecting actors.

Although it is a group play of four people right now, in fact, the two leading actors have more lines and scenes, and the others are only responsible for simply entering the scene, doing actions and expressions, and introducing the identity of the characters.

Perhaps this is the first time that Eva has starred in the lead role.

On the contrary, Jake Gyllenhaal, who is used to acting in dramas, has completely polished his acting skills. Whether it is his demeanor or his lines, he is very good at it.

As for Lehman, I didn't feel anything. After all, it was the first day. It was normal to have an adaptation period.

After all, Eva was just a newcomer, and her previous roles did not have this weight and difficulty.

Calling Eva aside alone, Lehman encouraged: "You don't have to be so nervous, relax first. Think about your state during rehearsal, this scene is actually nothing. You say you want to be a good actor, then Just let it go. You understand, let go a little, you are actually very good, and you have the potential to act..."

After Lyman comforted for a while, Eva gradually relaxed her tense emotions, and the filming also entered the right track.

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