Chapter 836 Genius
At first glance, Su Jing's paintings are messy and fragmented, just like a pile of rubbish. I paint this one moment and that one moment, and all of them are only part of it, chaotic. However, after a closer look at Su Jing's writing, everyone had to be surprised.
It was obvious that Su Jing was not trying to paint something, but was learning various techniques.
The technique of Chinese painting can actually be understood as the method by which Chinese painters use the brush, that is, the technique of using the brush and the ink due to the brush. The ink technique includes the technique of color. During the development of Chinese painting, especially after the Yuan Dynasty (with the intervention of literati painters), the lyrical meaning of Chinese painting became stronger and stronger. The meaning of brush and ink in Chinese painting is no longer a simple technical issue, but a synonym for Chinese painting. In the concept of brush and ink in Chinese painting, the spirit of Chinese painting is infiltrated. To put it simply, the brushwork of Chinese painting is composed of points, lines and surfaces, and the use of lines is the most important. The ink method is to use the action of water to produce different changes in thickness, light, dry, wet, dark and light. The method of writing lines in Chinese painting is called "using a pen", and the method of using ink in Chinese painting is called "using ink". Whether it is using pen or ink, it is broad and profound, all-encompassing, and can be divided into many, many kinds.
For example, when using a pen, there are two types: center and flank. The center should hold the pen upright, with the stroke in the middle of the ink line. The strength of the pen should be uniform, and the stroke should be perpendicular to the surface of the paper. The effect is round and stable. The side front uses the pen to hold the pen on the side, the front of the pen is at the edge of the ink line, and the front of the pen forms a certain angle with the paper surface. The force is uneven, fast, slow, light, and heavy. The effect is rich in hairy and astringent changes.
It is divided into Shunfeng and Nifeng pen. Shunfeng generally means that the stroke of the pen runs in the same direction as the inclination of the pen, and the effect is smooth and straight. Reverse front is the retrograde of the pen (that is to say, the direction of the stroke of the habit is reversed), and its effect is dry and clumsy.
It is divided into Jufeng and Sanfeng. Jufeng means that the strokes of the strokes are gathered together to form a single stroke. Sanfeng means that the front of the pen spreads out, showing a multi-front shape (also known as "flowering pen"), and its effect is dry and varied.
In addition, the speed of using the pen will also have a great impact on the picture. When to use what kind of brushwork and what kind of effect is achieved, it is ever-changing. Just the basic skills are broad and profound.
In addition to the use of ink, in ancient Chinese painting, there was a saying that ink was divided into five colors, that is, black, white, dark, light, dry and wet. The method of ink is to reflect the rich changes of painting, "the pen is the bone, and the ink is the flesh". So the ink method can be said to be a method of using water. According to the amount of water, we divide it into five steps: coke, thick, heavy, light, and clear. Because ink has new, old, old, and changed, the ink quality is divided into five types: new, coke, sinking, retreat, and Egypt. Due to the different treatment of ink color, different images of ink change are produced, which can be divided into five senses: dry, dry, moist, wet and dripping. In brush and ink, brushwork emphasizes more internal force, while ink emphasizes "live" and "change".
The predecessors have a lot of experience in using the ink method. To sum up, there are mainly seven methods: the thick ink method, the light ink method, the coke ink method, the ink ink method, the broken ink method, the accumulation ink method, and the splash ink method. Various ink methods are also ever-changing.
It can be said that Chinese painting is difficult to learn, and it is not easy to get started. Learning one of these basic techniques will probably take a lot of time. If you want to learn all of them and master them, it will be even more difficult. I am afraid that you will only learn for two years and your progress will be limited. And now Su Jing is using all kinds of techniques. Originally, I was just starting to learn, so I was so greedy, I was afraid that I would not be able to learn anything. But looking at Su Jing, the first time he used a center, he might have some deficiencies, but the second time he used it, it became much better, the third time he used it, it was close to perfection, and after using it, there was no exception. Easy to come by. The same is true for other strokes and ink techniques.
That is to say, at first glance, Su Jing painted some messy things, but his various techniques were quickly becoming proficient at an extremely terrifying speed. Various difficult techniques, he could use them as easily as the palm of his hand.
"My God, am I dazzled? Splashing ink, he actually learned to splash ink in two or three times?"
"We've been learning all kinds of difficult techniques that we haven't been able to learn for a long time. He actually learned it in three or two times."
"My God, look at the half-mountain he just painted. Was this drawn by a beginner in Chinese painting?"
"He wouldn't have been a master of Chinese painting long ago, would he deliberately pretend to be a pig and eat a tiger here?"
Many people present felt that Su Jing was not a beginner, but a master of traditional Chinese painting who had been learning for a long time. People who learn Chinese painting so fast. Otherwise, this is simply a monster.
Cheng Shiyao and Zhu Yan were very surprised, Huang Jinghong frowned slightly, Su Jing was excellent in other aspects, that's all, he thought that at least in Chinese painting, he had the advantage, but now, his self-confidence suffered a great blow. No matter whether Su Jing has an unbelievable learning ability or is a master of Chinese painting for a long time, the result is that Su Jing's Chinese painting level surpasses him every minute.
However, although Cheng Guyi was shocked, he believed that Su Jing was indeed a beginner. Each and every painting of his was to verify the question he had just asked himself. It seemed like a mess of paintings, but in fact he did not waste any ink. . Cheng Guyi was excited, he knew that he had met a genius, a super genius, a peerless genius.
In fact, it is not an exaggeration to say that Su Jing is a genius. Su Jing has several advantages that ordinary people do not have. First, he has long been proficient in calligraphy and can be regarded as a master of calligraphy. Although calligraphy cannot be confused with traditional Chinese painting, there are similarities in the use of brush and ink. A calligraphy Master, the use of pen and ink will be more natural than ordinary people; secondly, his memory and thinking ability is far beyond ordinary people, he can remember every detail of every technique clearly, and he will not hesitate when writing. Forget about this, he can think clearly about all aspects at once. He is obviously a novice, but he is just like a veteran. If you want to write a micron, that is one micron, and it will not be more than half a minute. This kind of control allows him to control his strokes freely. In addition, Su Jing is also a spiritual teacher. He can use mental power to construct a picture virtually, which can make every stroke and every painting more delicate.
Combining the above points, let Su Jing learn and reach the point that ordinary people can't reach. He is not only a genius in painting, but in almost all walks of life, he is a genius among geniuses.