Chapter 329: 329

Hugo's performance has ended, he has already sat in the car, and the filming of the scene just now has been completed, but the scene is still silent. Ever since the gunshot, the scene has been terribly silent. As a last resort, the driver who played the driver had to drive the car out, and after staggering for five yards, he heard Steven's voice coming from behind, "Ka!"

This sound quickly broke the tenseness of the scene. Hugo had just stood up from the car seat when he saw four or five people suddenly running out of the staff area. The first one was the grumpy Ben- Kingsley, "You dog. Mother. Raised! I won't hack you today, I'm a dog!"

Hugo was naturally inexplicable when he saw this scene. He didn't understand what was going on. He just stood on the car and cast a suspicious look in Steven's direction, and then saw these people swarming in his direction. Running over, Hugo was startled, "Did I do something wrong?"

Fortunately, before these people arrived in Hugo's car, they were pulled by a group of staff who swarmed up, and then someone said, "That's Hugo, that's Hugo-Lancaster!" This voice persuaded a few impulsive people.

Ben Kingsley tidied up his slightly messy hair, then looked up at Hugo standing in the car, and after a while, he said angrily, "You acted just now was so annoying. I can't wait to kill you directly!"

Hugo was scolded by someone pointing his nose, but he always felt that the taste of the words didn't seem right. Hugo frowned and looked at Ben, and asked suspiciously, "Uh... Should I take this sentence as a compliment? ?"

Ben seemed slightly embarrassed by his impulse, and tugged at the jacket he had flattened, "If you want..." Then he turned and walked back.

Hugo got out of the car and followed everyone in the direction of Steven, and then asked his inner question, "Steven, was my performance good or bad?"

"I want to applaud you very much, but I don't want to applaud for you, so... stick to your way of performing, I think you're on the right path." Steven hesitated and said after deliberation, then He took the script and walked to the other side, ready to arrange the next scene.

Hugo was finally relieved at this time, his performance just now was an absolute success!

From Hugo's point of view, he just wanted to use Amon's ruthless calmness to stimulate people's inner fears. Murder is nothing to Amon at all. In Amon's eyes, these Jews are moving targets. any compassion. But on the other hand, Amon hopes to disguise himself with qualities such as politeness, wisdom, gentleness, gentleness, etc., hoping to rely on these qualities to occupy a place in the so-called high society, not to make himself look like a grassroots from the country, and at the same time Using arrogance to cover up his deep-rooted inferiority complex is also an important reason why Amon is willing to trust Schindler. Even after Schindler was able to persuade Amon repeatedly, there are psychological factors in this regard.

So there was Hugo's performance when he first appeared in Amon, the elegant smoking, the gentleman's handkerchief, the gentle eyes, the decent language, all of which seemed so perfect. But when someone tried to challenge his authority, especially when the person was Jewish, the ruthlessness in Amon's bones was revealed.

These complex emotions are the result of Hugo's long-term research. He carefully pondered this personality, combined with the people with similar personalities he met in his past life, and then sorted out a set of behaviors. Infiltrate your behavior little by little and make it a habit and a character.

It can be seen from Hugo's performance that in fact, there was no special acting breaking point in this scene just now, but Hugo's performance shocked everyone present, and even stimulated Ben and others because of the previous anti-Semitic elements. And the nerves that became sensitive broke out completely, and then they lost their reason and rushed up.

It can be said that there is no doubt that Hugo has grasped the essence of the role of Amon!

More importantly, through the preparation and performance of the role of Amon, Hugo's understanding of performance seems to have gone a step further. During "Sleepless in Seattle", Hugo vaguely felt the effect of his own emotions on the character's interpretation. Influence, and then when she communicated with Katherine Hepburn, she put forward a new point of view, the overlap of personal experience and role experience is impossible to achieve 100%. So what about in Amon's role this time?

Hugo used the huge data obtained from all sides to virtually construct the role of Amon by himself, and then supplemented the role of Amon according to the dictation of all insiders, and finally formed a complete role. In fact, in this process, Hugo's past understanding of acting skills has been applied, studying the character itself, substituting his own understanding but not limited to his own understanding. .

But why does Katherine say that the overlap of personal and character experiences is somehow unnecessary?

Hugo just felt that he had taken a step forward in the exploration of acting skills, and then found out that in fact, he was still only the tip of the iceberg. But it must be admitted that the process is really exciting, recreating a real or virtual character, and then letting the audience empathize with it, the taste is really good!

But compared to the joy brought by acting, staying on the "Schindler's List" crew was a huge torment for Hugo!

With Hugo entering the state at the first time, the filming of the entire crew went smoothly, but as the plot progressed, Steven's situation became worse and worse. Fourteen hours of filming every day made The emotions of everyone in the crew were tense, and in order to reproduce the real pictures of the Nazis persecuting Jews in those days, the entire crew was enveloped in a terrible mood of pessimism and anger.

While filming a scene in the afternoon, Steven suddenly stood up and turned to leave. Neither the assistant director nor the show manager, including Steven's wife Kate - Capshaw (Kate. Capshaw), tried to persuade him, but nothing worked. In the end, the scene was completed under the supervision of the assistant director.

In fact, it's not just Steven, many of the extras in this scene are on the verge of collapse. This scene is about after entering the Plasov concentration camp, Amon received an order to "destroy" a group of Jews again, so Amon decided to conduct a simple physical examination on the Jews in the concentration camp, if they were healthy and able to continue working. The ones left alive, while the others would be driven into the gas chambers, locked up in the name of bathing, and then all put to death.

During the filming of this scene, most of the people had to take off. The naked clothes are examined, and then the Nazi doctor decides whether the person should stay or not. When he sees some old people, the doctor will even ask the old man to run away to determine whether the old man is healthy or not.

When Steven saw that the old man played by Regina was asked to run, he finally couldn't help it and left the set directly, and his emotions were never able to calm down.

For Steven, he is "lucky" because he can leave the set and calm down his emotions; but for Yugao, it is a torture, he is the supervisor of this health check, he even He also walked into the playground to judge the group of Jews who had been pulled out: who is healthy and who is sick? This behavior that easily determines the lives of others is so simple and neat in Amon's actions. But Hugo, he is not Amon! Even if he acts like a re-enter, he is not Amon after all.

When he saw Regina being forced to run, Hugo also had the urge to turn around and run away. He looked at the kind old man who used to be joking and laughing with him, but now he was ordered like a beast, and his dignity was threatening his life. It was worthless in front of him, which made Hugo only feel a tingling pain in his heart. He went out in an instant, and immediately switched from Amon's state back to Hugo's state.

But Hugo couldn't escape, because he had to stay to "command the scene".

After the scene was interrupted once because of Steven's departure, it was interrupted three times because Hugo was never able to get in. Before that, entering the state of Amon was as easy for Hugo as it was easy to walk around in the courtyard. Concentration has always been without any problems, but today, Hugo has always been unable to do so.

This made Hugo very depressed. His heart was like tormenting in a frying pan. He was constantly injured by spears and shields, and he was devastated. But this was his job, and he had to persevere, "I, I can't do it. ..." This was the first time that Hugo had given up the idea of ​​giving up, unprecedented, "Do I have to be here for this scene? Can't I replace it with other shots?" Hugo helplessly looked at the left behind Deputy director.

The assistant director of the crew was not a professional at all, but a survivor of the Auschwitz concentration camp, and he was quite unbearable to see Hugo's pain at this time. It's hard to imagine that Hugo, who is kind and gentle in real life, has to play the most terrifying demon in the movie. This kind of suffering is no less than Steven's decision to ruthlessly restore these terrifying scenes. But he couldn't make a decision at this time, because Steven still didn't show up, and his knowledge of the movie was really limited, so he couldn't respond to Hugo's request.

"Hugo, hurry up, in this weather, you let me drag my body and run a few more laps? Please, you are not a child who does not know how to take care of the elderly, are you?" At this moment, Regina's voice will be Hugo's attention was drawn to the past.

Regina's skinny body was shivering in the cold wind, even though it was wrapped in a coat. In fact, the filming is similar to the torture scene of slapping the face. The most dedicated performance is to do it in one step, save those politeness, struggle, and tangle, and simply finish shooting the whole scene neatly and minimize the damage. This is the most sensible and professional. practice.

Hugo looked at Regina in front of him, and he realized that his pity, sympathy and suffering were not important at this moment, because Regina, who had experienced all this in person, was a thousand times more painful than him. He has no right to escape.

Take a deep breath, take a deep breath. Hugo stood up again, gritted his teeth and said to the assistant director, "I'm ready!"