Chapter 3485 The Strange Door

Laplace checked the mural again to see if there was a hidden compartment.

——She had seen hidden compartments or secret rooms behind murals in many ruins.

However, this mural did not have any hidden compartments.

The most unusual thing about this palace was undoubtedly this mural; but it was only the mural itself that was unusual, not other things such as hidden compartments.

After reaching this conclusion, Laplace refocused on the content of the mural.

Door, black matter, retrograde.

What is the connection?

Laplace kept comparing the memories in her mind, trying to find out if there were similar or related clues in her memory bank.

However, these three images were too common, and she had at least hundreds of thousands of pictures in her memory that were similar to this one.

But it was limited to similarity.

At least with Laplace's inspiration, there was no ray of inspiration related to this mural in these similar pictures in the memory bank.

There were too few clues to interpret.

Laplace quickly determined the answer.

She did not regret it.

As an "old" person who has lived for ten thousand years, she has too many scenes with unknown endings and no results in her memory.

Some of them are her own experiences, and some are observed through the Sea of ​​​​Empty Mirrors.

At first, she may feel a little regretful, but as similar experiences become more and more, and even one or two scenes with unknown endings can be observed every day.

The regret of the unfinished end gradually disappears.

Of course, she did not lose her interest in exploring secrets, but she learned to make choices. There is no need to delve into some secrets that are known to be unattainable.

As for which secrets need to be explored?

The mind will tell her the answer.

The mural in front of her should have some secrets; but Laplace did not feel that the mind had any remote sensing, so there was no need to care.

Laplace retracted his gaze.

This mural may only become one of the memory fragments with unknown endings in her memory.

...

Angel retracted his gaze from exploring the silver disk.

His eyes were slightly regretful.

The silver disc is a teleportation disc, and some dormant space power is still left in it.

Angel studied it mainly to compare this disc with the disc in Kuroli's secret room.

After careful comparison, he found that the two discs are actually linkage discs.

The so-called linkage disc means that after using this disc, you can only be fixed to the vicinity of the established teleportation disc that is linked.

It's just that Angel can understand the mechanism of the teleportation disc in the secret room of the ruins; but he was completely confused when he saw this disc.

The only thing that is confirmed is that the linkage disc of this disc is above their heads.

That is where the main tomb is.

This is consistent with Lu Nuo's statement.

For convenience, Lu Nuo almost never took the route of the chimeric space, and he always teleported here directly from the main tomb. Therefore, it is reasonable that the linkage disc is in the main tomb.

However, although both are linked arrays, the operating principle of this array is completely different from the array arranged by Kuroli.

Perhaps this was created by the Ordovicians whose brain domain entry is "array" or "space".

If possible, Angel would like to activate it.

Unfortunately, this array has been solidified here and cannot be disassembled or moved; although it can be activated, the consequences of activation are too great, so Angel can only give up.

No longer paying attention to the silver disc, Angel's eyes looked at Laplace not far away.

"How is it, is there anything wrong with this mural?"

Angel walked over.

He had noticed this mural before. Such a complete mural must have some tricks. Laplace came here to observe before him, maybe he has found something unusual?

Laplace shook his head: "Except for the special pigments used, which can keep the murals for a long time... there is nothing wrong with other things."

Angel knew Laplace's background, and even she didn't find anything wrong, so he probably wouldn't get anything.

Therefore, he did not choose to use his mental power to examine the mural in detail, but just scanned the content of the mural with his naked eyes.

"The content of the mural is quite simple..." Angell said as he looked at it: "Generally speaking, the simpler the thing, the more straightforward the meaning; but because there is no detailed evidence, the interpretation will be ambiguous."

For example, the mural in front of Angell's eyes is very simple: a person walks towards the door.

But why did he walk towards the door? Is this door not real, but a metaphor for a purpose or a destination? And are those black substances also metaphors, metaphors for disasters?

These are unknown.

Therefore, the meaning of this mural is very straightforward, but it is not easy to interpret.

Laplace looked at the mural: "I am curious about why the painter kept this mural."

Ingres shrugged: "Everyone has their own interpretation. Perhaps, this mural is the owner of the ruins describing his own life. As a summary of his life, it makes sense to choose to preserve it with special pigments."

"The life of the owner of the ruins?" Laplace looked at Ingres curiously: "Everyone has their own interpretation, so, is this your interpretation?"

Angel nodded and said his own interpretation: "The people in it represent the owner of the ruins, and the black matter represents the course of life. In other words, the darkest moments in the course of life."

Angel had just said half of it when Laplace guessed his thoughts: "So, in your eyes, this door represents the end of life?"

Angel nodded: "Almost, it can also be said to be the goal of life. When you go through the dark tide of life, you can reach the door of the goal."

Laplace stretched out his finger and pointed to the location of the door: "But all the dark matter is released from this door. So, according to your interpretation, the end of life, or the goal of life, is the reason for the darkest life of the owner of this ruin?"

Angel was also stunned for a moment: Indeed, the black matter poured out from the door.

Therefore, his interpretation based on "the life of the owner of the ruins" was obviously wrong.

Angel fell into a brief silence.

His eyes subconsciously looked at the "door" on the mural. Because the existence of the "door" overturned his previous so-called "life theory".

As he stared at the door, he thought about how else he could interpret the mural.

But as he thought about it...

Angel suddenly felt that the door on the mural seemed to have grown bigger, as if it was closer to him...

Angel:?!

Angel suddenly came back to his senses and looked at the door on the mural.

The door was still in that position, without any changes, no bigger, and no jump out of the mural.

But he clearly felt that the door seemed to be approaching him before?

Angel thought about it, and extended his mental tentacles, constantly probing near the "door", but there was nothing abnormal.

Could it be his illusion?

When Angel was doubting himself, Laplace looked at him suspiciously.

"What's wrong with you? Is there something wrong with the 'door' on the mural?"

Although Laplace's attention was more focused on the mural, some of it was also on Angel. She just saw clearly that Angel, who was still in deep thought, suddenly had his pupils shrink, as if he had seen a ghost, and then began to frantically scan the "door" on the mural with his mental tentacles.

This behavior was obviously a bit strange.

Faced with Laplace's questioning, Angel did not hide anything and directly told her what he had just perceived.

"Do you feel that the door in the mural is getting bigger and getting closer to you?"

Angel nodded: "Yes, but I can't tell now whether it was an illusion."

Laplace looked at Angel doubtfully, and then looked at the door on the mural: "I can be sure that when you were thinking just now, this door did not change at all... At least, in my sight, this door did not change at all."

Angel naturally believed Laplace's words, but he did vaguely feel that the door in the mural was slightly enlarged just now...Angel shook his head: "Maybe, it's really an illusion."

Laplace could naturally see the hesitation in Angel's words. She thought for a while and said: "Whether it is an illusion or not, you will know if you try it again."

"Don't worry, I will always pay attention to you."

Angel thought about it and thought he could try it. He also wanted to know whether it was an illusion or there was really a "problem".

Angel nodded: "I'll try."

But, speaking of which, how to try?

Keep staring at the door in the mural? Or, completely compare it with the previous situation, think first and then look at the door inadvertently?

Although Angel was thinking about the experimental method, his eyes were actually fixed on the door in the mural.

Just as he was thinking about whether to fall into deep thought like before, the door in the mural suddenly became bigger again...

This time, Angel didn't even have time to come back to his senses, and he felt a heat in his chest, and then the door came to Angel, like a huge mouth of the abyss, swallowing Angel directly...

The next second.

Angel felt his eyes go black, and the whole person began to "rise".

However, this rise is not a rise in the sense of space, but a rise in a certain concept.

It seems that the body, soul, and consciousness have transcended, and the whole person is constantly sublimating.

At the same time, in the process of "rising", Angel clearly felt that his emotions disappeared, or in other words, his "emotional module" did not rise with his consciousness.

From a sentient being to an emotionless and immaterial existence.

Because he lost the restraint of emotions, Angel felt that he was getting calmer.

He even immediately made a judgment that he was going through some kind of "super-dimension", transcending the current dimension and coming to a higher dimension.

The reason why he could make a quick judgment was because he had experienced this situation more than once.

At the beginning, the Eye of the Sky absorbed a large amount of mysterious energy by blocking two plane fusions in a row, and finally took Angel to a strange world beyond dimension, where Angel learned the Gate of Illusion.

Another time, because he had to survive the void disaster, he was led by Wangwang into a super-dimensional state and roamed in a high-dimensional space.

In the two super-dimensional journeys, each time was a familiar "ascent" and the loss of familiar emotional modules, so compared with the current situation, Angel was very sure that he was undergoing some kind of super-dimensionality.

However, why was it super-dimensional?

Is it because of that door? Or... because of the Eyes from Beyond the Sky?

At this time, Angel may have put aside unnecessary emotions. His ability to sort out memories and capture clues has obviously improved to a new level.

He still remembered that when he was about to be swallowed by the door, he felt an obvious warm feeling in his chest.

And he always kept his Eyes from Heaven close to his chest.

Therefore, the feeling of fever should come from the eyes outside the sky.

And that door...maybe it was activated by the Eye of Heaven? Or could it be said that the Eye from the Outer World made that door different?

Angel couldn't tell whether it was the door or the Eye from the Sky now, but these were not important to him.

The important thing is, where is he now?

Angel already felt that his "rising" had stopped at this time.

Although Angel had lost his perception of the time scale in the process of traveling to the extra dimension, he still felt that this "ascent" did not last long, and was even faster than when Wang Wang took him roaming. Some.

In a more intuitive expression, it’s probably——

If there is a height in the dimension, the place Wang Wang took him to originally was 1 meter high, the place the Eye of the Sky took him to may be 10 meters high, and this "ascent" may not even be 5 meters high.

Is it because the author of the mural doesn't have a strong grasp of super dimensions?

But having said that, it’s already amazing that the original artist of the mural was able to access the concept of super dimensions. At least according to Angel's knowledge, only Wang Wang can currently access the dimensional surface.

Angel looked around.

No, "see" is not accurate at this time. He just thought about it and all the details around him were imprinted in his mind. He even saw the trajectory of his own dimensionality.

But these are still not important. In a high-dimensional space, this kind of observation is actually as simple as breathing.

This is a world of pure darkness, just like the dark matter in the murals, the surroundings are very bleak.

But high in the deep sky, there is a luminous door, standing there, guiding the direction like a beacon.

"So, where do I go to that door?"

Angel's mind moved, and he began to continue "ascending" and began to approach the door.

As he made his way to the door, he suddenly remembered the mural.

His situation at this time seemed somewhat similar to the scene in the mural.

In the mural, a man in a gold-red uniform stepped on a black substance and walked towards the door.

And he is now also traveling retrogradely through the unknown black matter, heading towards the deep space gate.

Is this a historical loop? Or is it the necessity of dimension reappearance?

Angel didn't understand.

He didn't think too much about it, as he was destined to not get the answer in a short time.

Soon, he came to the gate.

The style of the door is exactly the same as that in the mural. The only difference is that the door in the mural is constantly releasing dark matter, while the door here is completely bright.

Angel didn't know what was behind this glowing door.

But he vaguely felt that he should go in.