Section 3363 Self-Correction

The text messages that shimmered out of the glass box were like black clouds, covering the sky and the sun.

When Butler Fan put the glass box on the table, the feeling of shelter covered most of the restaurant; in this case, the field of vision, let alone blind spots, directly turned into black vision.

Angel thought for a while and closed his eyes.

Two seconds later, Angel opened his eyes, and the text information around him was "refreshed" and disappeared. As long as Angel doesn't carefully examine the glass box, these unsightly black clouds of text will not appear again.

Not only Angel, but also Laplace and Morrigan clearly had the action of closing their eyes to "refresh".

Butler Fan, who was standing at the table, seemed to have foreseen this situation. After everyone had "refreshed" the information, he pointed to the glass box and said: "What is in this is a living creature of words."

The glass box is said to be glass, but in fact it is not transparent and looks a bit like frosted glass. You can vaguely see the black shadow inside, but you can't see everything exactly what it is.

As for the glass box in front of them, everyone could see that the lower half was filled with thick and quiet black shadows. It seemed that it contained...soil?

The top of the soil was empty, at least no outline could be seen through the frosted glass.

Butler Fan opened the lid of the glass box in time.

After opening the lid, Angel saw, as expected, that the bottom was covered with thick black soil.

However, there is still nothing visible above the black soil.

Either the "literal living thing" that Butler Fan calls is a transparent existence, or it is hidden in the black soil.

If it were truly a transparent living thing, there shouldn't be a layer of soil underneath it, so Angel personally prefers it, and the answer is more likely to be the latter.

However, this glass box is not big to begin with, and the living text is still hidden in the black soil. Wouldn't it be even smaller?

"Is it an insect? Or some kind of mini snake?" Angel thought to himself, and tried to penetrate the soil with his mental power.

However, before Angel's mental tentacles appeared, he saw movement in the middle of the soil, and a pink silk thread exposed half of its head.

When he saw the pink thread, Angel was silent for a long time.

Not only Angel, but also Laplace was a little surprised.

Yes, this piece of pink silk thread is the literal living creature contained in the glass box, and it is not the insect or mini snake that Angel suspected, but an...earthworm.

The pink earthworms slowly stirred in the black soil, like a mini earth dragon turning over, bringing up some fine dust and mud.

"Are you disappointed to see it's Earthworm?" Butler Fan's voice came to my ears.

Angel shook his head: "No, I just didn't expect it to be Earthworm."

Butler Fan smiled and said, "I chose Earthworms because I have just reached this point."

When Ea began to create textual animals, he chose relatively low-level invertebrate animals. Starting from sponges and amoeba, he gradually advanced to hydra and schistosomiasis. Now he has just crossed over from linear animals to linear animals. Enter ring animals. The representative of ring-shaped animals is earthworms.

Therefore, even though what Butler Fan brought out was just a small earthworm, what was behind it was actually generations of spineless animals.

Today's earthworm is the latest product after many generations, and it is also the most advanced writing creature that Ea has studied so far.

After listening to Butler Fan's explanation, Angel looked a little surprised. He originally thought that Ea's creation of living creatures was similar to Grea's, directly transcending countless generations and boldly entering the mysterious and extraordinary realm.

Unexpectedly, Ea's creation of living creatures followed a progression theory from low to high.

Angel's expression was not concealed. Seeing this, Butler Fan asked directly: "Mr. Angel, are you surprised?"

Angel thought for a while and said: "In the Southern Region, there is actually a wizard who is good at creating things..."

Angel briefly described Greia’s situation.

After hearing this, Butler Fan nodded with understanding: "So that's it. Sir, he accidentally discovered the different ways of creating things."

After a pause, Butler Fan explained: "Actually, don't worry too much about these. If the wizard you are talking about is really a creature, then she has either been close to or even mastered part of the laws of creation."

"As for living creatures with words, they are not actually real creations. They are still far away from the laws of creation."

"After all, words are just words, and there is still a difference between them and real living things."

Butler Fan's explanation is actually indirect. In terms of "creation" comparison, the mysterious dragon cannot be compared with Greia.

However, they are different tracks in themselves.

Greia is a real creation, a literal creation of Mysterious Dragon, more similar to a "virtual creation".

Butler Fan: "As for why written creatures choose to advance from generation to generation, this is because, at the end of the day, the fundamentals of written creatures... are still words."

"To use words to express meaning, you must use logic."

The logic of words will also be reflected in the text space.

If you want to create a living creature with words, you must follow the logic of words and write the advanced process step by step.

"As you just saw, the text information floating above Earthworm is like a black cloud. In fact, these text messages are not all describing Earthworm, but also its predecessors, those sponges, schistosomiasis... etc. Words need logic. , Literary objects must also be determined based on logic. Without the benchmarks of predecessors, it is difficult to write subsequent wonderful works.”

"Similarly, if our next step of text creation is to advance to mollusks such as squid and octopus, then there will be more text information on their heads, which must also include information related to earthworms."

Text follows logic, and text creatures can only survive under the logical chain.

Hearing this, Angel understood it thoroughly.

Everything in the text space is logic, or an "algorithm". It is a bit like editing a program. If the program needs to run, it must be written according to the established algorithm.

The more difficult it is, the more complicated it is.

"However, the main body has begun to study methods to save a lot of redundant descriptions." Butler Fan said this and pointed to the gloves that Morian had written before: "For example, this pair of gloves, if it is described according to the original text, it is also a long article. Now it only needs a paragraph of text to create it, which is a similar research result."

"I think Ms. Laplace will not be unfamiliar with this matter."

Butler Fan specifically pointed out Laplace. As Ea's time body, he knew that Laplace had come into contact with the initial version of "The Secret Treasure in the Book".

Laplace nodded in agreement.

Indeed, if it was the first version of "The Secret Treasure in the Book", it would be difficult to create a pair of gloves without writing a long essay, starting from the creation of the world and the germination of all things.

Now, it can be created in one sentence, which is Ea's progress.

The creation of dead things can be simplified; in the future, it is not impossible to simplify the creation of living things.

…

After Butler Fan finished describing the general situation, he put the glass box in front of Angel and Laplace, allowing them to study.

After Angel opened the glass box, he took a closer look and found that "text creation" was really interesting.

This kind of fun was not reflected in the earthworm.

But in "black soil".

Because the information of this living earthworm was too complicated, Angel really couldn't peek, so he could only look at other text information. As a result, he found that the "black soil" was different.

The black soil in the glass box looked the same at first glance, but if you look closely, you will find two different descriptions.

One of the descriptions is: "Black soil: a special soil with good fertility, which can promote birth..."

Another description is: "Fertile black soil: a special soil with signs of earthworm activity, with extremely excellent fertility, which can promote birth..."

It is the same black soil, but because of the different trajectories of earthworm activity, it presents two completely different text information.

Angel also asked Butler Fan.

From Butler Fan, he learned that in fact, the text information of the black soil at the beginning was the first type. Later, with the migration of earthworms and the stationing of earthworms in the black soil, part of the black soil began to change.

Yes, it was not Eya who took the initiative to change, but the "program" in the dark made self-correction.

Before, when Angel described the smell of the Demon Flower King's saliva, the text information was also self-corrected, but the correction at that time was to delete the extraordinary effect.

In a sense, it is a change in a worse direction.

But this self-correction is obviously a change in a better direction.

Don't look at it as just a difference of one word, but there is a thousand miles of error here.

The difference is because it has not reached this step yet, and the internal logic cannot support it; but the improvement is a manifestation of self-improvement, which means that the logic chain is enriching itself.

If we make an analogy, one is a rigid program, and the other is moving towards an intelligent program.

This seems to imply a logic: if there are more text creations, whether they are living or dead, then everything here will become more self-consistent because of the enrichment of the text logic chain.

Isn't this the evolution of AI?

It is precisely because Angel discovered this that he became more interested in text creations... It would be great if similar abilities could be replicated in the Dream Crystal Origin.

I don't know if the "Book of Time" talent of the Mystic Secretary Dragon is a gift from the will of the world. If so, maybe it can trigger the experience copy? At that time, the "Secrets in the Book" can be derived from the talent of the Book of Time to create a text space...

Angel told Laplace his thoughts through the mind band.

The main thing is that since Laplace knows the talent of the "Book of Time", he may be able to judge whether this talent is a gift from the will of the world.

However, Laplace shook his head after listening to it: "No, this belongs to the blood talent of the Arcane Secretary Dragon lineage."

In other words, all Arcane Secretary Dragons have similar talents. Although... it seems that there is only one Arcane Secretary Dragon now.

Angel was a little disappointed when he heard this. It seems that the idea of ​​building a text space in the Dream Crystal Plain is not feasible.

However, just as Angel was sighing to himself, Laplace said again: "By the way, if you want to create a text space in the Dream Crystal Plain, why do you have to consider the talent of the Arcane Secretary Dragon? Can't you just drag this painting into the Dream Crystal Plain?"

It's just like when Angel pulled the Rabbit Building into the Dream Crystal Plain.

After hearing Laplace's words, Angel was stunned: It seems to be right... Why did you think about the talent? Can't you use the Dream Conch?

Angel slapped his head suddenly. It seems that he had been observing the experience dungeon before, causing his head to be full of experience dungeons and forgetting his "original intention".

Angel looked at Laplace: "Then ask Lord Ea to borrow the painting?"

Laplace nodded: "Okay, but do you plan to tell the Secret Secretary Dragon about the Dream Conch?"

Angel fell into a brief silence, and finally shook his head.

Although the Dream Crystal Origin did not use the Dream Conch too much, the importance of the Dream Conch will not diminish. Its importance is comparable to the Dream Magic Realm itself.

Laplace told Laplace about the Dream Conch because they trust each other.

But Angel was reluctant to tell Ea, whom he had just met.

Laplace: "I understand, I will handle the matter of borrowing the painting."

If Angel went, Ea would probably not lend it without exploring the root cause; but Laplace did not have this problem. As Ea's "teacher" in his heart, Ea would respect Laplace's decision even if he had doubts.

Angel thanked Laplace.

Laplace: "It doesn't matter. I also want to know if I can replicate the space of words in Dream Crystal Origin."

Laplace's eyes flashed with interest.

She is not very interested in creating words in the outside world, but if she does it in Dream Crystal Origin, she will be very interested...

Everything in Dream Crystal Origin is fun in Laplace's eyes. She is very happy to enrich the various "modules" of Dream Crystal Origin. This feeling of perfecting the rules and perfecting the world step by step is also a kind of practice for Laplace.

Even, Laplace vaguely feels that whether she can break through the shackles depends on Dream Crystal Origin.

For this reason, Laplace can't refuse Angel's proposal.

She even thought that if she wants to borrow a text space, she has to borrow a bigger one. This restaurant is really a bit small...Or, go to Ea to customize a text space with a larger space and easier to play?

On the other side, Angel didn't know that Laplace had already thought of asking Ea to do "Haute Couture", and he was still observing the black soil.

However, this time he didn't just observe for nothing, he also did some other small experiments.

Angel used a stack of white paper to write down various nutrients, and through step-by-step text transformation, he finally blended them into a plate of high-quality fertilizer.

He planned to add fertilizer to the black soil, and through this external addition and interference, see if the text can be automatically corrected.

With Angel's series of operations, the black soil really changed.