Chapter 1858 Room Distribution
Angel looked at it carefully for a long time, but he didn't understand what these unrelated incomplete magic patterns meant to express.
Also, why was it engraved on such an armor?
Angel didn't understand the meaning of the existence of this armor for a while. He thought about it and decided to put it aside for the time being and find the laboratory first.
As for the abnormality of this strange armor, if he still couldn't figure it out later, he would ask the tree spirit.
Angel thought of this, took a deep look at the armor blocking the middle of the road, then bypassed it and continued to move forward.
Because of the appearance of the armor, Angel has determined that this road is different from the road that made him "circle" before, and he will definitely not let him walk for more than ten minutes and still not find the end.
This is indeed the case. Angel walked forward about twenty steps and saw a staircase leading down.
This is a staircase that winds down like a coiled snake. When Angel walked down to the first bend, he saw a door.
When approaching the door, the candlesticks on both sides of the door lit up immediately.
Angle was worried that it was another linkage mechanism. He checked the candlesticks and found that the two candlesticks did not contain lamp oil, but a kind of metal round block, which looked very rough, like a semi-finished product of alchemy.
After using the Eye of Nalda to identify it, Angle confirmed that the metal round block was indeed an alchemical product, made of dead phosphorus ore.
The characteristic of dead phosphorus ore is that once it senses the breath of a living person, it will emit a faint light like phosphorus fire.
Similar to the situation of this candlestick, this metal round block probably sensed the breath of a living person coming from Angle and began to glow and illuminate.
Unlike the previous candlestick, this one is not a mechanism.
After confirming that it was not a mechanism, Angle looked at the door. Although it was decorated with various patterns, this door was just an ordinary iron door.
There was a copper doorplate on the door, with formal font symbols written on it: Reception Room.
Below the reception room, there is a row of very beautiful cursive characters: "Although it is used for meeting guests, there are not many guests who are qualified for me to meet."
From the lines, it can be seen that the person who left the message is definitely a proud person.
Angel guessed that this might be left by the previous resident of the ruins, Tizarro.
Angel used his mental tentacles to explore the iron door. As described on the doorplate, there is a very simple reception room inside. Behind the red curtain, you can see a long table and gorgeous chairs, as well as various drinking utensils that look very clean but have probably not been washed for hundreds of years.
Angel entered the reception room and took a look around. After confirming that there was no energy feedback or traps in the room, he walked out.
After walking out of the reception room, Angel continued to walk down. On the next floor, he still saw a door. After Angel arrived, the candlestick lit up again.
By the light, you can clearly see that the bronze plaque on the door reads: Study.
At the same time, there was a row of cursive characters under the study: "I don't need a bedroom, but I want a study where no one can disturb me."
"Is this a study?" Angell looked inside through the door with his mental power, and there were indeed rows of tall bookshelves behind the door.
The feedback from his mental power was that there was no danger. So Angell pushed the door open and walked in.
There was indeed no danger inside, and the bookshelves were neatly arranged, but they were basically empty. There was a desk in front of him. When Angell approached, the candlestick on the desk lit up directly. It seemed that it was another alchemical product of the dead phosphate ore.
There were pen holders, ink, and blank papers on the desk, all neatly arranged. It seemed that someone had deliberately cleaned it before the ruins were sealed.
The shape of the bookshelf was a bit like the bookshelf of the Cloud Library, and there were even special magic patterns to restrict people from reading books. The magic patterns could only be activated if they met the conditions.
However, the magic patterns no longer had energy supply, and the mechanism was cleared and no longer effective. Moreover, there were no important books on the bookshelf, only a few mortal works.
Angel walked around and confirmed that there was nothing wrong with the study, then continued to walk down the stairs.
To Angel's surprise, when he reached the third underground floor of the stairs, he reached the end.
This third underground floor was also different from the previous one. There were two doors facing each other. The copper plate on the left door read: Material Library.
The cursive characters below said: "The material library is so big, it's better to expand the laboratory."
Angel looked at the words and basically confirmed that it must be Tizarro who left these words, because according to the tree spirit, there are only two people who occupy this relic and live there for a long time and regard themselves as the owner.
One is the original builder of the relic, and the other is Tizarro.
The cursive characters on the copper plate are obviously a complaint about the person who built the relic. This also shows that the cursive characters must have been left by Tizarro.
Angel did not check the situation of the material library immediately, but turned his head and looked at the door directly opposite the material library. According to Tizarro's complaints, Angel has basically determined that this door should be the laboratory.
Sure enough, there is a bronze plaque hanging on the iron door, which reads: Laboratory.
Below the laboratory, there are also Tizarro's cursive words, but this time it is not a complaint, but a very short line of words: "No entry without permission!"
The bright red font shows that Tizarro's attitude towards the laboratory is obviously different from other rooms.
This is probably the place that Tizarro attaches the most importance to.
Angel looked at the laboratory, then the material library, and finally decided to go to the material library first. After all, Tizarro attached so much importance to the laboratory, which meant that there might be traps inside.
When he pushed open the material library, what came into view was not a room, but a huge space.
As Tizarro complained, this material library was surprisingly large.
It was like a huge cave, several times larger than other rooms in terms of height and width, comparable to a medium-sized square.
In front of Angel was a staircase going down, which could lead directly to the bottom of this space.
When he arrived at the bottom, Angel was more certain that this might really be a natural underground cave. Because he saw a lot of stalactites, but the tops of these stalactites that emerged from the ground were cut off and transformed into tables and display stands.
Angel casually walked closer and took a look, and found that there were words written next to the display stand near him.
It was not cursive characters, but very formal characters: dense molten gold.
Dense molten gold is a special magic material.
This display stand says "Melting Gold", which means... this was once the place where the Melting Gold was placed?
Angel looked at the other display stands again, and they all had the names of various materials written on them. I guess it was once the place where magic materials were placed. However, it is now empty.
Angel walked around the material library and understood why it was so large, because there was a miniature forest here for placing magic plants; there was also a hot melting area that simulated a volcanic environment, where various fire materials were placed... vacuum areas, frozen areas, desertified areas, artificial lakes, etc., which divided the material library into countless blocks.
It can be said that this is a very comprehensive miniature ecological material library.
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