Chapter 321 The Effect of Combining Chinese and Western Is Good

Oil painting materials are painting materials formed by blending pigments with transparent vegetable oil, and shaping artistic images on cloth, paper, wooden boards, etc. It originated and developed in Europe, and has become an important painting material worldwide in modern times. Tempera, which produced European paintings before the 15th century, was the predecessor of oil painting materials. While working with tempera, many painters continued to search for more ideal mediators.

The current oil painting materials are generally produced by industrialized unified production by mixing and grinding pigment powder with oil and glue. Most of them are sold in tubes, and they can also be self-made. The basic components of oil paints, like other paints, are composed of colorants, extenders, vehicles and certain auxiliary materials such as plasticizers, stabilizers, retarders or driers.

Most of the pigment powders used by the ancient masters came from soil and minerals, and another part came from plants or animals. But we modern people, even oil masters like Tang Huiqin and Liu Yizhi, seldom use homemade blending pigments. Basically, they find some special oil paint manufacturers to customize. Now Qin Yanran brings Su Lin the drawing boards and paints, all of which are exclusively for Tang Huiqin. She is also a student of Tang Huiqin. She founded a well-known oil paint supply company in China. Every year, Tang Huiqin will be given special paints for Tang Huiqin.

But now Tang Lao Tang Huiqin hardly ever paints with her own hands. Occasionally, it doesn't cost much paint. Basically, these paints were trained by Qin Yanran.

From the age of five or six, Tang Huiqin consciously cultivated Xiao Yanran's hobby of oil painting and Chinese painting. Qin Yanran is indeed very comprehensible in this aspect. After the age of ten, she has basically mastered the painting methods of various schools of painting. However, the ideological depth of the work is lacking, but it has far surpassed its peers.

She came out with the paint in hand, Qin Yanran skillfully placed the drawing board in front of Su Lin, and put the paint and everything on the ground one by one. Although it was messy, it was still very organized. However, Qin Yanran still didn't have much confidence in Su Lin, she whispered to Su Lin, "Su Lin, these paints are exclusively for oil painting. They are not the watercolor paints in our art class, you... use come?"

When she said this, Qin Yanran took a few clips from her memories. These clips were all made by Su Lin in the art class. What made the watercolor paint all over the table, the water was too much. Too much, or maybe I forgot to tighten the cap after I used up the watercolor paint last time, and when I used it for the second time, I found that all the paint inside had solidified...

Qin Yanran was worried that Su Lin would not be able to use the paints for these oil paintings, so while talking to Su Lin, she adjusted the paints of various colors. Including those painting tools, he put them away one by one with great care, and patiently explained to him how to use each tool.

"Thank you, Yanran. Hehe... With such a good teacher as Yanran telling me how to use it, I believe that the oil painting I made for the first time in my life will be very good."

Su Lin, who has exchanged the skill of "Beautiful Brushes and Flowers", knows all the methods from the time when oil painting first appeared to the current methods. How can he not know how to use these paints and tools? However, Su Lin didn't make a big deal out of it. Instead, he watched Qin Yanran patiently and attentively like a little book boy who mixed all the paints, arranged the tools neatly, and muttered to himself.

Very caring, Su Lin felt Qin Yanran's concern for her and her tender feelings. He enjoyed this feeling very much, especially Qin Yanran muttered and stared at herself, dissatisfied: "Su Lin, why are you looking at me all the time? Didn't you listen to what I told you? "

"Listen! The class leader's teachings, how dare you not listen to the young ones?" While playing with Qin Yanran with a smile on his face, Su Lin had already started to use tools and paint to conceive his own creations in his own mind. .

"Su Lin, is this your first time painting an oil painting?"

Hearing what Su Lin just said, Liu Yizhi was stunned for a moment. Before listening to Su Lin talk about the history of European oil painting, many of his insights were more profound than his own. He felt that Su Lin must have been a teenager who loved oil painting since he was a child, so he could have such a deep understanding of the history of European oil painting. learn. Therefore, in order to make Su Lin accept his paintings, he would say the words of giving each other paintings.

But now when he heard that this was the first oil painting Su Lin had done, he regretted what he had just said. Speaking and doing are two different things. Those who can appreciate paintings may not necessarily be able to make good paintings. As for Su Lin, this is the first time he has made oil paintings. Not to mention good paintings, if he can figure out the tools and pigments of these oil paintings, he will be able to get a well-organized oil painting with content.

Liu Yizhi was also a little worried about Su Lin, and said tentatively to Su Lin, "Su Lin, why don't you send me a painting after a while? Practice your skills first? Or...you can also paint a Chinese painting. , it's all paintings anyway, don't just stick to oil paintings..."

"traditional Chinese painting?"

Hearing Liu Yizhi's words, Su Lin suddenly had a flash of light in his mind, and said excitedly to Qin Yanran, "That's right! Yanran, please bring me a set of Chinese painting paints and a good brush as soon as possible... "

"Chinese painting? Su Lin, have you changed to Chinese painting again? Did you learn Chinese painting before?" Qin Yanran said with some doubts. Could it be that when did Su Lin learn Chinese painting, and she didn't know it?

"No! This is also the first time for Chinese painting. Since I was a child, in art class, wasn't there only crayons and watercolors? Damn watercolor, that paint is so annoying, it embarrassed me every time... This time I want to conquer Let's take a look at oil painting and Chinese painting..."

Su Lin cursed with a smile, as if he also remembered the ugliness he made in art class in junior high school and high school. In his heart, Su Lin made up his mind. This time, Grandpa Su wanted to change his status as an art rookie and become a great painter Su Lin.

Su Lin, who was determined to change his mind, had an excellent idea in his head and was thinking about it like crazy. Qin Yanran also quickly brought him the paints and tools for Chinese painting. The tools were full of tools and placed in front of Su Lin, as well as the white drawing board in front of him. Surrounded by Tang Lao Tang Huiqin and Liu Yizhi, they were looking forward to seeing what kind of work Su Lin was going to tinker with.

But Fang Liping, who never said anything, just smiled and hugged her plump breasts, looked at Su Lin's thoughtful expression and found it very charming, and said with a smile in her heart, "This stinky boy, Su Lin, how much is in that bad belly? What about the sample thing? Could it really surprise us again this time? What kind of paintings can you draw?"

Fang Liping no longer dared to underestimate Su Lin's ability. She no longer treated Su Lin as a high school student who had just been admitted to university. Judging from the miracles and impossibility after contacting Su Lin, it seemed that up to now, there was nothing that could stymie Su Lin.

"By the way! Last time Su Lin's mother had a car accident, could the mysterious doctor who broke in... could it be Su Lin himself?" Fang Liping looked at Su Lin who was thinking about it in deep thought. Lin, the more he felt that there was one mystery after another in Su Lin's body. Unfathomable! This is the fascinating man, and you will never be able to see what his real bottom line and his cards are. When you think you seem to know him enough, you suddenly discover his unknown side.

"Su Lin, you are really like a mystery that can never be solved. However, you often keep surprising me..."

This is what Fang Liping had in mind at this time, and at this time, I am afraid that the most detractor of Su Lin's paintings is the collector Yuan Hai who has been neglected and has no sense of existence for a long time.

"First time doing oil painting? First time doing Chinese painting? And then dared to make an axe in front of Tang Lao and Liu Yizhi? That is, he dared to do this when he was still a child..." Yuan Hai felt that he couldn't look straight for a while. Su Lin's painting process was over. He remembered how he felt when he first made oil paintings. He just smeared all the materials on the drawing board, and then used his hands directly without tools. Wearing camouflage as colorful.

"But that's fine. When Su Lin gets Tang Lao and Liu Yizhi's paintings, I will approach him quietly after I go back. I don't believe that with my incorrupt tongue, there will be no way to let him go. Such a furry child sold me these two paintings?"

With a small calculation in mind, Yuan Haiyue plans to feel that these two rare and famous paintings will soon be able to enter his own collection room.

"Su Lin, you asked for the raw materials and materials for the oil painting, and asked Yanran to bring the materials and tools for the ink painting in the traditional Chinese painting. Could it be that you want to paint two paintings for me today? Explain, Uncle Liu brought only one painting when he came today. But there is no second painting for you."

Although he was very puzzled by Su Lin's approach, he also felt that it was true that Su Lin said it was his first painting, but Liu Yizhi didn't know where his confidence came from. He actually believed that Su Lin could draw a good painting. of paintings. Perhaps it was Su Lin's contemplative expression like that of a philosopher at this time. Those complex expressions and emotions that can only be seen when an elderly philosopher thinks about the meaning of life, now appeared in the face of a spearhead like Su Lin. The face, matched with Su Lin's appearance and age, is really inappropriate.

"Okay! Uncle Liu, look at it! This time I want to paint one, or two different paintings, or three different paintings..."

Su Lin smiled strangely, as if he already had an idea in his heart and started to do it. Under everyone's stares, he first started to paint oil, paint and tools were all ready, Su Lin took a deep breath, and then quickly began to paint, he did not use charcoal or anything like traditional oil painting. Instead, start coloring directly, pour all kinds of paints on the drawing board quickly, and then spread them out little by little.

It seems that there is no way to do it, but in fact it seems to have traces. The appearance of Su Lin Chengzhu's chest made Liu Yizhi even more puzzled. As far as the current pattern on the drawing board is concerned, there are no rules at all. Does Su Lin want to make an Impressionist oil painting that he cannot understand?

"Sure enough, this stinky boy, Su Lin, doesn't understand oil painting. Isn't this the same as what I did when I did oil painting for the first time? No matter what, the raw material of oil painting is just painted on top."

Seeing the process of Su Lin's painting, Yuan Hai smiled and felt proud in his heart.

"What the hell is Su Lin doing? When Mom is painting, she must first conscientiously conceive it, then use charcoal to start the draft, and then slowly outline it with color. A good oil painting can be regarded as a few days. It’s too short.** This painting took two days to paint and three days to change. But the painting of Ichiji, it took more than six months of work before and after to make such a wonderful handed down. Here comes the work. Does Su Lin want to finish it in a day? What kind of work can he come up with in the end?”

Fang Liping was also looking forward to it, but was distressed that she could not understand Su Lin's approach.

"Su Lin, what the hell are you talking about? Didn't I give you the charcoal? Why didn't you start the draft first and then color it?"

Confused, Qin Yanran pointed to the charcoal on the ground and said to Su Lin. He sighed in his heart, and sure enough, Su Lin didn't understand oil painting at all.

"Hey! Yanran, you don't understand, this is my method, just wait and see! Now let this oil painting hang here for a while, and I'll get the watercolor painting first..."

Putting aside the half-finished oil painting, Su Lin turned his head to spread out the raw rice paper, and then cut out the raw rice paper. Basically, the remaining raw rice paper is the size, length and width of an oil painting board, and then it looks like an oil painting. In that way, on the raw rice paper, it began to seem to be messed up.

In this way, everyone can't understand Su Lin's approach even more. What is Su Lin going to do? It's oil painting and watercolor painting, and they are all so incoherent. What kind of painting do you want to paint?

Moreover, what Su Lin said just now was also very strange. What does it mean to be one painting, two paintings, or three paintings?

People's curiosity is such a heart-wrenching thing. Su Lin was hooked to arouse the curiosity, and several people actually had the patience to see that Su Lin was busy there for almost an hour.

Puchi! Puchi!

Su Lin was busy, both oil painting and ink painting. He colorized the oil painting in a while, and then came to ink painting to add two strokes. It's just two-in-one, and it seems that the two paintings have some connection. Su Lin compares the two paintings from time to time, and then nods mysteriously with a smile, which is even more visible to the people present. I don't quite understand.

"Su Lin, what are you doing? Tell me quickly? Are you ready?"

Qin Yanran was the most impatient. Before Su Lin's painting was finished, she asked impatiently.

"Just wait for a while, just wait and see... I have a good effect of combining Chinese and Western paintings. It combines the characteristics of Chinese and Western paintings, and there will be different effects!"

Su Lin smiled. The creativity of his painting this time came from what Liu Yizhi said just now, combining the characteristics of Chinese and Western paintings. What he wants to create is an oil painting and an ink painting in Chinese painting, and then combine the two paintings.

Western oil paintings and Chinese ink and wash paintings are different and related, and they can be combined with each other. They have mutual characteristics and characteristics. If they can be combined in a good way, it will definitely have an amazing effect. From the perspective of tools and materials, the limitations of materials such as ink and rice paper in Chinese landscape painting are greater than those of oil painting materials. That is to say, rice paper, the main carrier of Chinese landscape painting, cannot use as many colors as oil paintings, cannot create so many textures, and cannot make repeated revisions.

Conversely, using oil and black on canvas can basically achieve the effect of ink and wash rendering, and it is easier to pursue and develop the strengths of Chinese landscape painting. Nowadays, the use of comprehensive materials in oil painting is very rich. For example, when expressing landscape themes, there is a texture effect similar to the Chinese technique of "spotting, rubbing and dyeing", and some even paste the landscape painting directly on the canvas for processing and creation. To achieve a reasonable combination of different materials, it is like a "oil painting landscape" work. Secondly, there are techniques such as rubbing and spray painting to express a distinctive visual landscape. Figure 4.1 makes good use of China's unique Yunlong paper and rice paper, and their reasonable combination with the ancient material such as rock color. The comprehensive use of this material makes the work full of expressiveness and visual tension. It effectively and effectively enhances the visual effect of the work and the spiritual realm that it wants to achieve.”

This time, Su Lin is going to break the routine. Combining Chinese ink painting and Western oil painting is his idea and creativity, and it is also a great attempt that can only be achieved with the help of the skill of "smart brushwork". As for whether it can be successful, no one has done it before, and Su Lin does not know. However, the more Su Lin painted, the more devoted he became, and the more excited he became.

Finally, after two hours, Su Lin breathed a sigh of relief, clapped his hands, pointed to an oil painting and an ink painting in front of him, and said to the crowd. Please see, this is my painting.

"What? This is? Why can't I understand it? Su Lin, what are you painting?" Qin Yanran was the first to not understand, and felt that the two paintings in front of her, no matter which one, looked like There is no specific image image and meaning ah? It's not a landscape, it's not a portrait of a person, it's not something like flowers, plants, birds and trees, it's just that I can't understand it! (To be continued. If you like this work, you are welcome to subscribe (this site), give a reward, your support is my biggest motivation.)