China Entertainment: I Really Don’t Want to Live with the Queen

Chapter 233: The Prince of Chinese Music Arrives in Tokyo Qi Mu Kakachen

Chapter 233: China's Music Prince Lands in Tokyo Qimu Kakachen

Tokyo, neon lights are bright.

The Asian superstar's concert ended, and Japanese fans were excited, immersed in the afterglow of the concert's climax.

Even in Japan, the center of Asian pop culture, singers who can perform like this are rare.

Bunshun, founded in 1959, is one of the top three weekly magazines in Japan in terms of circulation. It is famous for its coverage of news from all walks of life, and entertainment news is also a senior page of Bunshun.

The concert ended, and the faces of the fans were flushed. The evening breeze was getting colder, but they were still enthusiastic, cheering and shouting.

Ozawa Maria, Kakawa Kawai.

The two most skilled senior teachers in the media circle of Bunshun have been waiting in front of the Tokyo Budokan for a long time.

Seeing the Japanese fans appear.

Teacher Ozawa nodded to Teacher Kawai. Teacher Kawai was petite, with a camera on her thin shoulders, and her hands skillfully untied the protective cover of the machine.

Teacher Ozawa intercepted a Japanese couple and asked them who they thought was the second most shining singer in the Asian superstar concert.

Probably because of the Japanese pop music queen Namie Amuro, Teacher Ozawa directly ignored the first and asked about the second.

"Amuro-chan's performance was wonderful. She was the second most shining singer in tonight's concert." The young couple held hands tightly, looking excited.

They were babbling and screaming excitedly: "Xu Jun, a music genius from the Chinese mainland, conquered me with his performance. My boyfriend and I are his most enthusiastic fans!"

"He is the first shining star in tonight's concert!"

"The third shining star is Aaron Kwok from the Hong Kong music scene. His muscles are very beautiful. My boyfriend likes him very much."

When it comes to the Korean music scene, Japanese fans looked disappointed and complained: "Kim Jinmo from the Korean music scene, the performance of the Korean national treasure singer really disappointed me. I used to see on the Internet that many Korean fans boasted about Kim Jinmo. I think Kim Jinmo is even inferior to Malaysian singer Eric Moo. Damn, the Japanese music scene is actually compared with the Korean music scene. I am almost ready to commit suicide!"

"Xu Jun's performance is indeed impressive. He is more surprising than Teresa Teng." The male fan next to him said in an exaggerated Japanese tone.

The two most famous legendary singers in the Chinese music scene in the Japanese music scene.

Female singer Teresa Teng, who is popular in the Japanese music scene, has participated in the Japanese music scene's Red and White Songs Festival several times, with album sales exceeding 3.8 million copies, and won the Kanto Kansai Cable Awards double championship, which is also the first double championship in the Japanese music scene!

Male singer Leslie Cheung, whose performance is slightly inferior to Teresa Teng, is the male singer who has the most impression of the Chinese music scene in the Japanese music scene!

The impression of Chinese mainland singer Xu Chen, who made his first appearance in the Japanese music scene, directly surpassed Leslie Cheung and reached the level of legendary singer Teresa Teng.

Teacher Ozawa's curiosity about Chinese mainland singer Xu Chen has soared rapidly.

As senior teachers in the media circle, Teacher Ozawa and Teacher Hebei have a keen sense of hot news. Xu Jun from the Chinese mainland music scene, the wonderfulness of the concert PK Japanese pop music queen Amuro sauce? ? ?

Amuro sauce is the youngest solo female singer in the Red and White Songs Festival, won the Japan Record Award, and is the strongest in the Japanese music scene! ! !

The news was so outrageous that Mr. Ozawa would rather believe that Japan would sink or Mount Fuji would erupt than that Amuro would lose.

The interview continued.

Mr. Ozawa stopped the two young girls. The cool girl faced the camera without revealing anything: "Amuro has returned to the music scene with her new single I HAVE NEVER SEEN, which is different from her previous music style. She uses a lyrical singing style and focuses on delicate and profound emotions."

"This singing style is amazing, but compared to Xu Jun's amazing humanistic spirit of resistance, Amuro is indeed inferior."

"In terms of music style, Xu Jun's single Blue Bird combines European and American hip-hop, and interprets passion in the form of rock..."

The girl chewed a lollipop, with a sneer on her lips, and said disdainfully: "The so-called Heisei trash is just your discriminatory view. Xu Jun can touch the spiritual world of Heisei trash with his songs. Compared with Amuro, he holds the future of music."

The girl's cool and confident tone, unfamiliar and professional terms.

"As you said, Xu Jun will beat Amuro-chan in the future Japanese music scene!" Teacher Ozawa was stunned for a moment, and then continued to interview.

Most Japanese fans praised Xu Jun in the Chinese mainland music scene. In comparison, Amuro-chan's concert performance pales in comparison.

Under the machine.

The girl chewed a lollipop, put her hands in her pockets, and said coolly: "Yes, if Xu Jun debuts in the Japanese music scene, it is only a matter of time before he beats Amuro-chan."

Teacher Ozawa laughed at the arrogant and ignorant girl, and asked: "So who do you think is likely to beat Xu Jun in the Japanese music scene! Chage and Aska, Rainbow Band, or others?"

"Me." The girl shrugged, puffed out her chest, and said solemnly: "I will beat Xu Jun."

"Xu Jun beat Amuro-chan, you will beat Xu Jun, what do you mean..."

"You will beat Amuro-chan and become the new queen of Japanese pop music?" Teacher Ozawa said to the chewing lollipop.

The rude, arrogant and cocky girl didn't know whether to laugh or cry: "So, what's your name?"

"Uta..."

"Onii-chan, I'm sorry!" Naki dug her toes into the ground in embarrassment. Her best friend was cocky and arrogant.

She dragged her best friend away and ran away, her sailor skirt fluttering, waving at Teacher Ozawa: "Onii-chan, Xu Jun is indeed the most charming Chinese singer, and tonight's concert is very exciting!"

"What a beautiful and cute Tokyo girl." Mr. Ozawa looked at the interview press release.

In the entire draft, Xu Chen, who comes from the music scene in mainland China, undoubtedly occupies most of the scenes at Asian superstar concerts.

The interview is over.

Mr. Ozawa returned to Bunshun Co., Ltd.

The club has computers, and information about the music scene in mainland China is closed, but it is very convenient to check information about the music circles in Hong Kong and Taiwan.

Teacher Ozawa tried to search for Xu Chen, and suddenly the chaotic international chat room was refreshed. The number one chat room was [Chen Wang] from the Chinese Treasure Island.

Enter the chat room and the chat information is constantly refreshed.

Most of Japan’s senior media practitioners have high proficiency in Chinese.

Teacher Ozawa lay in front of the computer and spent a long time finally sorting out Xu Chen's information.

Call it pervert.

The Japanese music scene is accustomed to producing musical geniuses, and most of the singers are famous in the Japanese music scene at the tender age of 16.

Japanese musical geniuses all appear mediocre and ordinary compared to Xu Chen's information.

An orphan, he had never been exposed to music education and was self-taught.

In May 1997, the first album "Legend" was released, and its sales topped the music scene in mainland China. In October of the same year, the second album "Unparalleled in the World" was released.

The sales volume is the highest in the Chinese music industry. In the same year, she became the Little King of the Chinese music industry, which is equivalent to the pop queen of Japanese music scene Amuro-chan.

In March 1998, the album was released in Southeast Asia, and its sales topped the Southeast Asian music scene, ranking among the top three album sales charts in Singapore, Malaysia, and India.

Teacher Ozawa combed through Xu Chen's information and called him a pervert. Xu Chen, who comes from the Chinese mainland music scene, has long been the strongest player in the Chinese music scene!

Tokyo is full of neon lights.

Mr. Ozawa was urgently rushing to finish the manuscript all night long. His white and tender hands tightly grasped the hard pen. On the snow-white manuscript, news headlines oozed out from the tip of the pen: [The Music Prince of China arrives in Tokyo! ! ! 】

…………

The next day.

The Tokyo music scene unanimously and even rushed to report the news of the Asian superstar's concert.

Japan boasts that it is the center of Asian pop culture and rivals European and American pop culture.

Their confidence in pop music is more inflated than Mount Fuji, the highest peak in Japan, thanks to the concerts of Asian superstars.

Compared with Mount Fuji, which swells but does not erupt, the eruption of the Japanese music scene seems somewhat unscrupulous.

in.

Xu Chen, a Chinese pop star, is respected, feared, feared, angry and shocked by the Japanese pop music industry. When it comes to news reports, the headlines say Xu Chen slapped Sister Fan on the butt and exclaimed: [China’s Music Prince Arrives in Tokyo]

[China's most perverted pop music genius in three thousand years, Xu Jun, arrived in Tokyo, and South Korea's national treasure singer Kim Momo was defeated. 】

[The savior of China’s pop music scene, the talented musician Xu Jun, and the idol Amuro-chan, hope to cooperate with Amuro-chan! 】

[Xu Jun, the most terrifying music devil in the past five thousand years of Chinese pop music, arrived in Tokyo for a Super Planet Asia Superstar concert tour! 】

[Protest against the atrocities in the Southeast Asian music scene, Xu Jun, the king of the young generation of Chinese pop music, sings the Japanese song "Blue Bird" in Tokyo! 】

Messy news headlines.

Under the overwhelming bombardment, Xu Chen, who comes from mainland China's music scene, instantly topped the list of the most watched Chinese singers in the Japanese music scene.

at the same time.

The Japanese song "Blue Bird" sung by Xu Chen protested against the horrific atrocities in the Southeast Asian music scene and paid tribute to her fan Ye Naya. The story behind the song also dominated the Tokyo news.

Tokyo's authoritative TV program ASAYAN and the latest program report on the latest current affairs in Tokyo.

In the TV screen.

On the streets of Tokyo, protesting against the atrocities committed by Southeast Asian music circles, the silent marchers waved white flags in remembrance and sang "Blue Bird" in unison.

The host expressed exaggeration and admiration: "Xu Jun, who comes from the mainland music scene, is indeed a very special singer in pop music. On the second day after arriving in Tokyo, he led the wave of protest marches in Tokyo. In response to the atrocities in the Southeast Asian music scene, The song "Blue Bird" written by him in memory of his fan Yenaya is now sung like an international song in Tokyo. He is indeed a terrifying and enthusiastic Chinese music genius. "

"The blue bird is a curse, it is hovering over Tokyo!"

The wariness of the Japanese music scene against the Chinese music scene is ingrained into their bones, especially when a Chinese singer like Xu Chen, a fanatical and terrifying singer, set off a frenzy in Tokyo and sang "Blue Bird" to the parade. They instantly thought of the fear of being dominated by the Red Nightmare!

certainly.

The surprise that the blue bird brings to the Japanese is by no means limited to fear.

Kishimoto Masashi comes from Katsuda-gun, Okayama Prefecture, and aspires to create martial arts comics. However, due to the launch of Swordsman Namshin and Mugen no Sujin, Kishimoto Masashi fell into a career low.

Kishimoto has nothing to do, wandering around Tokyo like a ghost.

By chance, I encountered a crowd of people protesting against atrocities and demonstrations in the Southeast Asian music scene on the streets of Tokyo. The high-pitched and passionate "Blue Bird" instantly ignited Kishimoto's eyes.

This young cartoonist, bursting with light of blood and fire, staggered, rolled and fell in front of the parade, and shouted to the parade: "Tell me the name of this song!"

"Blue bird!" Someone in the parade stretched out his hand, grabbed him tightly, and exclaimed: "The blue bird soaring freely in the clouds."

As he spoke, he looked pious and whispered: "Wherever the wooden leaves are flying, the fire is also endless."

Atrocities in Southeast Asia killed tens of millions of Chinese. They used guns, sticks, and fire to drive the Chinese out of their homes in an attempt to break the backbone of the Chinese with brutality.

But.

Wherever the leaves are flying, the fire is endless. As long as there are people who do not believe in violence, do not compromise violence, and do not yield to violence, their cruel actions will eventually have consequences.

Those who advocate peace and freedom will eventually defeat the executioner and live happily, peacefully and freely.

In a sense, the fear of Xu Chen in the Japanese music scene is not without roots. The will conveyed by Xu Chen is not just about the songs, and the impact it has is also not just about the music world.

"When the wooden leaves are flying, the fire is also endless." Kishimoto's silent eyes burst out with bright light.

In a world of endless war, warriors who advocate peace and freedom rush to the battlefield with a firm belief that they want to end the war!

The cartoonist Masashi Kishimoto was inspired, and countless stories emerged in an instant. This story is called [Naruto].

same.

The core of the story and the general storyline also emerged. Masashi Kishimoto followed the parade and sang "Blue Bird".

In his story, the first soul character who runs through the story is identified.

This character advocates peace and freedom. He teaches the protagonist group to transform from boys to men. Yes, his name is [Qimu Kakachen! 】

…………

Tokyo, the sun is shining.

The luxurious velvet bed, the snow-white bedding were messy, and the clothes were messy and scattered on the carpet.

In the bathroom, there was a splash of water.

The thin glass cannot cover the graceful and slender shadow in the bathroom.

Xu Chen's upper body was naked, and his chest and abdominal muscles were covered with tooth marks and scratches. Even a warrior who has experienced many battles would inevitably have hideous scars.

Over and over again, the newspaper published China's pop music prince! !

Xu Chen slandered and complained: "What nonsense news? The people next door are China's pop music emperors. I, China's pop music prince, must be really sick."

In the washroom, the sound of water stopped for a moment.

The bathroom door opened, and Fan Wenfang's skin was as white as snow, which could be broken by blowing a blow, and her black hair was wet like a waterfall, spreading around her small and round shoulders.

The body is wrapped in a white bath towel, revealing that after a hot shower, the skin under the collarbone is as pink and white as a peeled lychee, with rounded curves, and the lines of the bath towel are alluring.

Under the lines of the bath towel, her shapely and slender calves were exposed. She wiped her hair and glanced at Xu Chen with her beautiful eyes. Fan Wenfang's snow-white face flew up to the red clouds and said softly, "Achen, I've finished washing."

"Sister Fan, you are so beautiful." Xu Chen said sincerely. After all, she is the most beautiful woman in Singapore.

And he’s a sweetheart!

Xu Chen supports the talented people in the Southeast Asian music scene, and Fan Wenfang is grateful for the hero's heroic act and does not hesitate to sacrifice his life to repay the favor. The daughter of Jianghu is a loving and righteous daughter who deserves to play the role of Little Dragon Girl.

It was the little dragon girl played by Fan Wenfang in "The Legend of the Condor Heroes" who eventually married Li Mingshun, who played Yang Guo.

"Sister Fan, my back is a little itchy, why don't you rub my back for me." Xu Chen, who had released the seal, was coquettish and flirtatious.

She gently held Fan Wenfang in her arms, her palms covering her smooth and round beautiful back, her skin was as tender as touching Shu brocade, and she couldn't put it down.

"Do you want to rub your back or gouge me?" Fan Wenfang smiled with a hint of teasing in her beautiful eyes.

Last night, she roughly understood the meaning of "chisel" in Zhang Huimei's words, which was vivid and vivid, but she chiseled Xu Chen. Xiao Longnu was reclusive and independent, but passionate and fiery.

Xu Chen gently pulled the white bath towel tied to Fan Wenfang's chest. In an instant, the bath towel faded away like running water. It was as white as a perfect work of art carved from ivory, covered with a warm sun veil, which was both royal and lustful.

Fan Wenfang's cheeks were flushed, her white and tender hands covered her face, her slender neck was lowered, trembling nervously.

Xu Chen was excited and led Sister Fan into the bathroom.

The phone buzzed, and I was immediately annoyed. I answered the call and complained: "Old Zhou, this is an unusual call from you..."

"hiss……"

Xu Chen shuddered. Sister Fan's official height was 174cm. It was pure nonsense. It was clearly 154cm. He flipped Sister Fan's hair and pulled it like a rein.

Squint your eyes.

"Old Xu, you, you, you..." Zhou Jianbin wanted to say something on the phone, but finally sighed: "Old Xu, you are in big trouble. I will go to Tokyo in the afternoon and have an appointment with Warner Japan to discuss the new album in the evening. Let's meet and talk about it. Bar."

Chapter 233/417
55.88%
China Entertainment: I Really Don’t Want to Live with the QueenCh.233/417 [55.88%]