Chapter 1783 Legendary Revitalization

In addition to studying "activation spells" and learning the newly transcribed classical spells, Joan also has another important job during this time, which is to follow the ancient book daddy to systematically learn the "myth enchantment" craft.

What Joan learned on the plaster lining board of the library on the fourth floor of Cloudsdale is just the superficial common sense of the "myth enchantment" craft, and there will be many more profound and complicated techniques in the future. Passed it on to him, and Qiao An's humility, steadfastness and inferences in the learning process also made Gushu very pleased.

Of course, Qiao An knew that Papa Gushu devoted himself to imparting his "myth enchanting" skills, and hoped that one day he would be able to apply these technologies in the project of manufacturing the fine gold colossus "Jinli", although at present, this day is still far away ...

Qiao An also wants to contribute to the manufacture of the gold colossus as soon as possible. Unfortunately, the old man of the ancient book set the engineering standards too high. Inject a 9th-level mythical element spirit into the adamantine colossus as the soul, but to complete this process, Joan himself has to be promoted to a 9th-level "Mythological Master", which is really too difficult.

Qiao An tried to convince Papa Gushu that it is better to set the standard a little lower, first to get a spirit of low-level mythological elements and put it on Jinli, at least let the adamantine colossus make do with it, and wait for a higher-level mythical element in the future Essence soul and then put on it.

However, Papa Gushu is very stubborn on this issue, he strives for perfection, takes every step in place, and never compromises!

"The main design indicators of the fine gold colossus were set by Mr. Wavrunier himself before his death. You can modify other secondary processes at will, but these key indicators cannot be changed. Jinli is either a 9th-order mythical colossus, or nothing at all. no!"

Now that Gu Shu's father had already said his words to death, Qiao An couldn't persuade him anymore. In fact, Qiao An is also a person who strives for perfection in doing things, and considering the deep feelings of Gu Shu's father for the old master, it is not impossible to understand his mood.

The ancient book father often talked about the design blueprint left by Master Wavrunier before his death. Joan was very interested in it, so he borrowed it from the old man to read it, and see what the ideal golden statue of the legendary archmage would look like. .

According to Master Wavrunier's conception, the adamantine colossus stands 72 feet high and weighs 8,000 tons, and can freely switch between the two forms of "colossus" and "castle".

Joan felt a little unreliable when he saw this.

The bottom area of ​​the castle form is relatively large, and the stability is guaranteed. However, when Jinli becomes a colossus, the contact area between the feet and the ground decreases sharply. The ordinary sandy ground cannot bear the 8,000-ton colossus. It will be deeply buried in the soil, like falling into quicksand, unable to move!

The premise of building a high-rise building is to tamp the foundation, and the gold colossus can't go wherever it can, so how to solve this problem?

Joan continued to read the design drawings with doubts, and soon found that Master Wavrunier did not ignore this detail, and gave a perfect solution.

The solution of the cloud giant archmage is to install an adjustable "anti-gravity system" on the adamantine colossus, so that the heavy adamantine colossus can roam freely on the ground without getting stuck in the mud.

Master Wavrunier provided two design ideas for the "anti-gravity system".

The first idea is more intuitive, which is to use the 7-ring arcane "anti-gravity field". An "anti-gravity field" is constant on each load-bearing column of the adamantine colossus, forming a set of "anti-gravity matrix".

The second idea is even more bizarre, instead of the "anti-gravity field", use the mythical version of the 2nd ring "Levitation".

Can low-level spells like "levitation" come in handy in the construction of mythical colossi?

This surprised Joan.

Continue to read Master Wavrunier's work log, which is very eye-opening!

According to Master Wavrunier, if the "Levitation Art" is optimized with the eighth-level mythical power, the improved "Mythical Levitation Art" can make the subject object hang in the air forever, no matter how much pressure it bears. It will drop a little bit and become an eternal beacon anchored at a point in space. Only the caster himself can move it at will.

The mythical casters of ancient times used this feature of the "mythical levitation technique" to create permanent floating buildings.

In fact, the city in the cloud that Joan is in right now has a lot of "mythical levitation techniques" fixed on its foundation, and it is still hanging high in the clouds after tens of thousands of years.

For core processes such as the "anti-gravity device", there are five items listed in Master Wavrunier's design blueprint, and the remaining four items are "9th-level Mythical Essence", "Activation of Embryo Material", and "Space Master" And "directed myth anti-magic field".

Needless to say, "Level 9 Mythical Essence", the remaining three core indicators are also extremely difficult major projects. Fortunately, Master Wavrunier has completed two of them before his death, which is "activated embryonic material" and "Space Master".

The three most basic elements of a construct, "embryo material", "soul" and "enchantment", are also applicable to mythical colossi.

The embryonic material of the adamantine colossus is of course the adamantine castle where Joan lives, but the embryonic material alone is useless, and a spell must be cast to activate the embryonic material.

When Joan made the "Magic Mechanic" Zaku, he cast a spell to activate its steel skeleton, and he was no stranger to this step.

The trouble with the Adamantine Colossus is that the size of the embryo is too large, exceeding the upper limit of the volume that can be cast by the "Advanced Item Revitalization Spell".

If Joan encounters this kind of problem, he will adopt some roundabout strategies.

For example, divide the embryo material one by one to activate it, and then try to assemble the various parts into a complete embryo material.

Another idea is to upgrade the "Shrinkage Technique", first cast the spell to shrink the embryo material, and then activate it.

As a legendary spellcaster, Master Wavrunier adopted a different idea from Joan's, which was simpler and more rude.

Since the "Advanced Item Revitalization Technique" could not handle such a large volume of embryonic material, a similar spell that was more powerful than the "Advanced Item Revitalization Technique" was invented to process the embryonic material of the colossus.

Not only did Master Wavrunier think so, he did so, and the spell he invented to revitalize the Adamantine Colossus is the "Legendary Revitalization Spell"!

According to the records in the work log, Wavrunir has successfully fixed the "Legendary Revitalization Spell" on the embryonic material of the adamantine colossus. As long as this legendary spell is activated, the colossus can be activated.

It's just that this "activated colossus" has neither soul nor intelligence, and is too clumsy. In order to avoid accidents, it is better to keep it in the shape of a castle and lie on the ground without moving.

Thank you book friend: tce, reward 200 starting coins this week