Chapter 222 Three New Scripts (First Update! Please Subscribe!)

Tang Shuxuan called Yin Jun after five days and agreed to translate "Jurassic Park" and "The Da Vinci Code" for Yin Jun.

Yin Jun also formally prepared a contract for Tang Shuxuan, which stated Tang Shuxuan's due authority, the most important thing was a remuneration of 50,000 Hong Kong dollars, plus 10% of the royalties after publication.

Tang Shuxuan lost the rights to the rest of the film and television and peripheral works.

At the same time, Tang Shuxuan also had to undertake the task of going to the United States to find a publishing company for publication.

Tang Shuxuan is a smart person and also a director. Looking at Yin Jun's contract, he sighed a little. This kid is obviously aiming at the adaptation of future movies and TV series.

She has been reading two books in the past few nights, and the more she reads, the more she can feel that what is written in these two books can basically be transformed into a good movie story.

Tang Shuxuan even fantasized about these two stories in her mind, and at the same time she expressed admiration for Yin Jun's imaginative story and rigorous writing style.

This is why she is willing to translate these two books for Yin Jun.

It can be seen that Yin Jun's two books are not based on imagination at all. Yin Jun must have consulted a large number of books and synthesized a lot of materials in order to combine these books on theology, cryptography, biology, medicine, The knowledge of physics and other aspects were all mixed together, and two books were completely written, two good books.

Tang Shuxuan appreciates such an attitude towards writing.

She is also a little bit looking forward to the situation when she has finished translating the novel, after it is released in the United States, and after being favored by a film director, she will make a movie.

According to her current estimates and conjectures, if the two books are adapted into movies, the results should not be bad.

Especially "Jurassic Park", if it is produced well, it may reach the box office of hundreds of millions of dollars!

Relatively speaking, Tang Shuxuan didn't have any dissatisfaction with Yin Jun's tight control over the copyright of peripheral rights and interests such as movies and TV.

This book was originally written by Yin Jun. I just translated it according to the text. At most, I just beautified the structure of the book. How could I enjoy so many rights and interests?

Besides, Yin Jun is also very generous. The translation fee of 50,000 for the two books is already equivalent to half of Tang Shuxuan's income as a director, and there is still 10% of the royalties. Enough is enough.

Tang Shuxuan has never been a dissatisfied woman, otherwise she would not have withdrawn from the Xiangjiang film world so readily.

Since I like these two books very much, and Yin Jun is very generously paid, it is natural to complete the task of translation.

As for finding a company to publish, this is even more simple. There are so many publishing houses in the United States. As long as they are not blind, it is impossible for them not to publish the two books "Jurassic Park" and "The Da Vinci Code".

Tang Shuxuan will go back to the United States in March, plus translation and so on, one after another, there will be news in May or June.

Let's not mention Tang Shuxuan for now.

For the past two days, Yin Jun has been pestered by Liu Tianci.

The reason is naturally very simple, and that is about the script for Jiashi.

In September last year, Yin Jun gave Jiashi a total of three scripts, namely "Falcon", "Shen Shengyi" and "Man in the Net".

Among them, the 40-episode "Falcon" was broadcast in early January, and "Man in the Net" and "Shen Shengyi" also took over in early January.

It's already the beginning of February, and both "Man in the Net" and "Shen Shengyi" have 80 episodes, which means that by the end of March at the latest, Yin Jun's script for Jiashi will be completely broadcast.

If Yin Jun stopped giving Jiashi the script, Jiashi would be dumbfounded and couldn't find the way forward.

yes.

At the beginning of January, after Jiashi achieved a historic victory, the 10 o'clock file has the right to independently broadcast TV dramas or variety shows.

And Jiashi did let the producers in the station work hard to make TV dramas, and planned to test the waters during this time period.

Even if it can't shake the strong position of "Happy Tonight", it is still a touchstone anyway.

If you can grab 20% of the ratings at 10 o'clock, it will definitely be a very good result. It is not impossible to adjust to 7 o'clock in the future.

From this period of time, in fact, Jiashi gradually wanted to get rid of the huge influence of Yin Jun. Although they did not rely on Yin Jun completely, they hoped that half of them could rely on themselves, otherwise they would all rely on Yin Jun. A screenwriter who is not his own is definitely a disaster.

Just look at how Li is dying now.

But a good producer, a good screenwriter, and a good script are not so easy to get.

Not to mention that before New Year's Day, Xu Ke, Jiashi's most promising new generation of cutting-edge producer, had already left Jiashi and joined Wu Siyuan's film company.

Now in Jiashi, there are only three or five of the best producers, and Xiao Sheng is the only top producer.

As for the screenwriter...

Keke, let's not mention it.

So Jiashi had no choice but to find out that they still needed Yin Jun's strong support. At least in the last two or three years, they couldn't get rid of Yin Jun's influence until they had not trained enough outstanding screenwriters and producers.

Besides, even if they can already make a TV series by themselves, they must work closely with Yin Jun.

Otherwise, if Yin Jun turned around and went to TVB, and wrote a few good scripts for TVB, Jiashi would have to kneel right away?

With this in mind, Liu Tianci and Shi Shaoming were looking for Yin Jun before the Spring Festival, hoping that he could come up with a few more scripts.

Except for the annual drama promised to Xiao Sheng, which was basically a certainty, they didn't get any promises for the rest of the scripts.

Liu Tianci has come to implement this matter in the past few days.

Yin Jun is well aware of Jiashi's careful thinking.

If it doesn't have its own ideas, then Jiashi is too incompetent.

So Yin Jun didn't care about their small actions at all.

Besides, is a good script something you Jiashi can make if you want to?

Isn't that too high a view of yourself?

But Yin Jun never thought about not helping Jiashi.

Just as Jiashi would be unstable without Yin Jun, Yin Jun also believes that Jiashi does not have its own script, and it is very likely that Jiashi will not be able to maintain a stable position in the past two years.

So Yin Jun prepared a few scripts for them early on.

The first one, of course, is the epoch-making "Shanghai Beach".

The classic combination of Zhou Runfa, Zhao Yazhi, Lu Liangwei and Liu Yu is the first element for a good performance of "Shanghai Beach".

A good script adapted and perfected by Yin Jun is an indispensable success factor.

Finally, coupled with the strong support of Jiashi, with a top gold medal producer like Xiao Sheng to produce, it will naturally guarantee that "Shanghai Beach" will be even better than the previous life.

The second one is called "The King of Thousand Kings".

In the minds of audiences in the 1980s, this is definitely a classic among classics.

Why is Xie Tingfeng's father, Xie Xian, called the fourth brother?

The reason is that he starred in Luo Sihai in this TV series. Luo Sihai in this TV series is called the fourth brother, because Xie Xian's acting is so good, so he will be the fourth brother Xie in the future.

"The King of Thousand Kings" is also the first time that Wang Jing wrote a script alone, of course it is the first gambling movie script he wrote, and it is also the first script in Xiangjiang that specifically talks about gambling.

Since then, this guy has become very interested in gambling, and he has written several TV drama scripts about Qianshu along the way. Fatty's masterpiece.

Because the theme of "The King of Thousand Kings" is very special, and Xiangjiang people absolutely like gambling, so this theme has been booming since "The King of Thousand Kings", and has become a long-lasting theme in Xiangjiang TV dramas.

For example, ATV's "The Winner Is King" trilogy starring Chen Tingwei and Zeng Yuqian in the 1990s continued this style, and it was also one of ATV's most classic TV series in the 1990s.

The third script is "The Star Knows My Heart".

This original version was made by Baodao. I believe many people born in the 1980s will remember it.

It is no exaggeration to say that this film is a typical "tear gas bomb", watching it crying to death, but constantly willing to accept the torture... Such a typical memory is already a life impression of people in the 70s and 80s.

At that time, the mother and five children in it were all popular in Asia. Although in the end only the cutest and cutest fifth child "Little Binbin" was the one we remembered the most, but overall, this film It is a classic Taiwan TV series that caused a sensation throughout Asia, and it is definitely not an exaggeration.

A company can't always stick to one model when it comes to TV dramas.

If TVB has been only doing costume dramas, how could it possibly push Jiashi, Lidi and ATV to a dead end?

On the one hand, they have Jin Yong dramas and Gu Long dramas as weapons, and on the other side they also have urban boutiques such as "Shanghai Beach", "Thousands of Water and Thousand Mountains Are Always Love", "Brother Xinzha", "I am Kind", etc. With two swords at the same time, this is the way of wireless prosperity.

So Yin Jun added this Taiwan TV series that was supposed to start broadcasting in 1983.

At the beginning of the new year, Yin Jun planned to only give these three films.

It's not that Yin Jun is unwilling to give it, but that it would be too worthless to give too many TV dramas at once.

Yin Jun hopes that Jiashi can rise again, but Jiashi is too powerful, but it is not in Yin Jun's interest, which will increase the difficulty of his acquisition.

Besides, Jiashi is willing to go for it by themselves, so let them try it themselves. Anyway, with Yin Jun around, they can't be as pitiful as Li's.

The current Li's is just a pool of stagnant water!

After Liu Tianci called for several days, Yin Jun gave him the three TV series.

After getting it, Liu Tianci didn't go back to the company directly, but took it there and looked at it himself.

Looking at it this way is an afternoon.

After he got Jiashi back, all the senior executives of Jiashi stayed up all night while reading the script and discussing it.

The next morning, Liang Shuyi called and agreed to Yin Jun's asking price.

"Shanghai Beach", 60 episodes, 15,000 episodes, 15% of the share from other cities.

"The King of Thousand Kings" has 60 episodes, 15,000 episodes, and 12% of the foreign share.

"The Stars Know My Heart" has 60 episodes, 15,000 episodes, and 12% of the foreign shares.

This price tag is actually not high at all compared to Yin Jun's current price of the play itself.

With "Wulin Biography" and "Bao Qingtian" as the foundation, and "Chu Liuxiang" breaking out into the sky, it is simply impossible to get Yin Jun's script at any price.

In addition, now Yin Jun has also started to work hard on movie scripts, and his income is very high.

Wanting to compete with the film company for Yin Jun's script, Jiashi had no choice but to increase the price.

Yin Jun has friendship with them, but the market price is the market price, and everyone must respect the principle of cooperation in order to cooperate for a long time.

(I was going to take a break today, but I didn’t ask for a monthly pass, so the old man came here with more than 100 tickets. How can you be so embarrassed? Just work hard, let’s make it three more times! Thank you! By the way, please subscribe, please support the genuine version !)