Chapter 217: The Academy Award Is Mine! (The Third Update! Please Subscribe! Please Ask for a Monthly Pass!)

The release of "Owl and Dumbo" happened during the Spring Festival.

Because some time ago, he realized that safety issues needed to be taken seriously, so Yin Jun simply moved again, to Marconi Road, which is across the street from Fanxinda Road, in a more upscale elevator apartment.

After about half a year, the housing prices in Xiangjiang have begun to rise continuously.

Taking this rent as an example, Yin Jun’s previous 400-square-foot elevator apartment on Fanxinda Road cost 650 yuan a month.

And now the elevator apartment on Marconi Road is about 500 square feet. It also has one bedroom, one living room, one kitchen and one bathroom, plus a small balcony as a bonus, but the rent is as high as 1,000 yuan a month.

Although there is a reason why this apartment has better security measures and there is a small park around the residence, but in fact, when Yin Jun came to ask about it last year, it was only 850 a month.

If it weren't for the fact that many people now know where he lives, Yin Jun would not be willing to move.

Just for the huge safe, it cost 300 yuan for moving, which is really distressing.

It's just that Guan Zhilin, Wen Bixia and Zhou Haimei all live nearby, and they don't want Yin Jun to move too far, so Yin Jun can only find a house nearby.

Apart from the fact that the phone number has not changed, there are no more than ten outsiders who know where Yin Jun lives now.

Xiao Sheng, Shi Shaoming and Liu Tianci knew about Jiashi, and only Cai Yongchang knew about Jiahe, and Yin Jun's friends knew about the rest.

Just a few days after Yin Jun moved, he heard that Shu Qi was finally the same as in his previous life, and established his "Film Biweekly". , The purpose of founding this weekly magazine is of course not to make money, but to introduce and discuss Xiangjiang movies.

Yin Jun has no objection to "Film Biweekly".

After all, it is very good to have a magazine that discusses such a serious category of Xiangjiang movies, and it is conducive to the growth of Xiangjiang movies.

But for the Hong Kong Film Awards, Yin Jun is absolutely determined to win.

In this world, no one knows better than him the ups and downs of the Hong Kong Film Awards organized by "Film Biweekly".

If Yin Jun doesn't intervene this time, it is obvious that the history of Xiangjiang movies will be the same as in the previous life, with prosperity and decline, and then completely plunged into darkness.

The Hong Kong Film Awards will also fall into the abyss along with Hong Kong films.

In the end, the reason lies in the narrow regionalism of the Hong Kong Film Awards.

Only the Hollywood Oscars, which rely on the soft and hard power of the United States to dominate the world, will only choose movies released in their own country for evaluation. You are a small place in Hong Kong, do you have the qualifications to learn from the United States?

And even the Oscars will set up the best foreign language award to encourage film careers all over the world.

Moreover, the regulations of the Oscars will continue to be adjusted in the future. For example, after 2000, as long as a movie can be released in commercial theaters in the United States for more than two weeks, it can sign up for the Oscar competition in the United States.

As for whether it can win an award, that is another matter, but it also represents an attitude of Oscar.

What about the Hong Kong Film Awards?

With the continuous decline of Xiangjiang movies, it has become more and more self-styled, less and less able to listen to other people's opinions, and finally became a group of old men and actors entertaining themselves. Let alone mainlanders.

For example, Mr. Zhou and Little Swallow both won the Best Actress Awards at the Academy Awards. How much reputation and benefit do you think this will bring them? Can it increase their salary, or make them more famous?

No good at all!

Since this is the case, why am I anxiously attending your Academy Awards? You also have serious discrimination and prejudice. I only come to praise your stinky feet after eating too much.

Hong Kong's Golden Statue Awards will only have the opportunity to continue to grow and develop if it is integrated into the mainland film industry.

In the future, with the support of the 1.5 billion people in the mainland, the Hong Kong Film Awards can definitely become the number one award in Asia, instead of falling silent in the midst of loneliness.

To do this, Yin Jun must be in charge of the Golden Statue Awards.

He will definitely create the Academy Awards one step earlier than Shu Qi.

As long as he gets this title, Yin Jun will have to gradually perfect it next.

Due to the actual situation, before the ban on Baodao was lifted, Yin Jun still could not blatantly select films made in mainland China.

But from the very beginning, Yin Jun will include mainland actors in the selection list for the Academy Awards.

As for whether Yin Jun is afraid of Baodao's ban on the Golden Statue Awards, that's not a problem at all.

Because in the selection of the 4th Academy Awards in 1985, Aunt Siqin Haowa won the Best Actress of the Academy Awards by virtue of "The Year Like Water", and was crowned the queen of the movie.

"The Year Like Water" hit a side ball. This movie is invested and directed by Xiangjiang people. Siqin Haowa is just an actor, and it doesn't play a big role in the overall effect, so Baodao I didn't care too much about it. Later, "Homecoming" was sold to Taiwan and released.

Baodao's only punishment for "The Year Like Water Flows" is that it is not allowed to participate in the selection of the Baodao Golden Horse Awards.

The reason why Yin Jun did not blatantly choose films from mainland China was not because he was afraid of what Baodao would do to him, but because the actors and production staff in Xiangjiang often had to rely on Baodao, the number one out-of-town box office, for food. Yin Jun offended Baodao, so not many people came to make Yin Jun's movies.

Knowing that after a few more years, it would become more and more relaxed, Yin Jun naturally couldn't choose to go head-to-head.

Especially at the beginning, when Yin Jun had not controlled Jiashi, nor a film company, nor a theater chain, Yin Jun naturally knew what it meant to be a low-key person.

However, from time to time, some actors from the mainland are invited to participate in the production of movies and TV shows, but Yin Jun has to start from scratch.

Yin Jun needs to put in a lot of hard work if he wants to establish a relationship with the mainland film industry and work together to make the film a good one.

But Yin Jun also knows that there are also some insightful people in Xiangjiang.

For example, Gan Guoliang, who was the earliest, went to the mainland to develop the film and television industry in the 1980s, and contacted Xiangjiang for cultural exchanges with the mainland.

At that time, Yin Jun will use him as a vanguard, plus the elites like Little Fatty Wen Jun, can they make a fortune in the mainland and attract some talents?

Among other things, you don't want to see Xiangjiang people boasting so much about their film talents. Yin Jun asked a question, which cameraman can compare with Zhang Yaomou in terms of color capture and adjustment?

There are more actors and artists in mainland film and television, and there are quite a few Zhou Runfa who can surpass the peak.

Xiangjiang has few people and little experience, and then it has a preconceived advantage, so it feels how powerful they are.

In fact, Jiang Wen, Uncle Ge, Lord Heshen, Zhang Guoli, Zhang Fengyi, Uncle Daoming, Li Youbin, Siqin Haowa, Ugly Lady Zhang, Chen Baoguo, and even the younger generation Sun Honglei, Huang Bo, these people can win gold every minute in Xiangjiang like award.

To give a simple example, do you think that Liang Kun played by Wu Zhenyu is very evil and has reached the peak?

Please take a look at Feng Yuanzheng's "Don't Talk to Strangers", that's why you want to kill him when you see him.

To give another example, do you think Zhou Runfa is very domineering in "God of Gamblers"?

Then why don't you go and see Uncle Daoming's superb performance in "Kangxi Emperor"? His dozens of scenes in the court, every scene is classic and amazing! Going to see it again in 2020, you can constantly taste the charm inside, just like old wine, with a long-lasting mellow fragrance!

Or look at Uncle Jiang's exciting performance in "Let the Bullets Fly", isn't that called domineering?

Another example is that Zhou Xingchi is very good at performing dramas, almost unmatched in the south.

But Uncle Ge in the north is definitely not inferior to him. The performances of the two are different, but the entertainment effect is actually the same. Even in terms of acting skills, Uncle Ge definitely puts Zhou Xingxing aside.

If you insist on saying that Zhou Xingchi's aura is better than Uncle Ge's, that's right, but let Zhou Xingchi and Hou Ge compare their aura?

Over the past few decades, whose aura can compare to Brother Monkey? One "Journey to the West" can make him famous forever, and he doesn't need other performances. No matter what you compare it with, this one is enough.

There are too many such examples.

This also fully demonstrates that a corner of the land can never be compared with a huge population base.

This is also the reason why the United Kingdom was able to dominate for a while, but was quickly overtaken by the United States.

No matter how horizontal the United Kingdom is, it has more than 50 million people. The United States is a big country with a population of more than 400 million. Its strong population base and development potential are far larger than that of the United Kingdom. Naturally, it is easy to surpass it.

Although the mainland is very backward now, as long as it is given a little time, the fruits it will produce are definitely far better than Xiangjiang.

This is also an important reason why Yin Jun insists on developing together with the mainland film industry.

Without relying on the huge talent pool and market in the Mainland, how can Xiangjiang stand up to the arrival of Hollywood movies?

Isn't that the case in history?

As soon as those terrifying big dinosaurs came, Xiang Jiang's movie immediately got down!

On the other hand, in the mainland, despite the bombardment of films such as "Titanic" and "Avatar", domestic films continue to develop and achieve good results.

With a large population and a large number of resources, it is absolutely impossible to get up after being beaten down.

With such a backup base, can Yin Jun feel at ease and secure in his heart?

(Well, before the meal, I was ahead of 150 monthly tickets, and after the meal, I fell behind by 30 tickets. It’s amazing to have money, tsk tsk... But I think I can still hold on, and continue to write books! Don’t you guys work hard enough to support me? Me? What can I do now? It’s more acceptable than giving you five or six hundred monthly tickets in the last hour!)