Chapter 196 Hero (Sixth Update!)

Except for Shu Qi at the table, it is impossible for Yin Jun to ignore him.

After talking with Shu Qi for a while and leaving him some questions for him to think about, Yin Jun turned his head and talked to Wu Siyuan.

"Brother Yuan, I will try to give you your notebook before New Year's Day." Yin Jun said.

Wu Siyuan just wanted to hear Yin Jun's words, and he was refreshed when he heard the words, "I've already contacted everyone, Ah Jun, I'm just waiting for your book, hurry up if you can!"

"I know, but the script still needs to be carefully crafted." Yin Jun said, "Recently, I found a very good assistant. With his help, I feel more like Xiangjiang. If you take it out, believe it or not." will disappoint you."

"Hehe, I know, it's Huang Boming!" Xu Ke continued next to him, "Recently, he doesn't come out when we ask him for a drink. He's busy rewriting the script every day. I'm so busy but willing. I've seen him like this!"

Xu Ke was at TVB at first, but later he went to Jiashi with Liang Shuyi and the others.

When he was in wireless, he met Huang Boming, and through Huang Boming, he also met Mecca and the others, which is why the Seven Monsters of Xinyi City came into being.

Now that Huang Boming has been taken under Yin Jun's command, I don't know if Xu Ke will go directly to Xinyi City from Wu Siyuan's subordinates as he did in his previous life when New Art City is established two years later.

"When a person has a higher pursuit, he will become full of motivation." Yin Jun nodded, "Brother Ming is already 32 years old, if you want to make your family happier, you can't always kill people like this on wireless. The whimsy of the place to work in. With a wide range of space, he can create better work."

"Hehe, there are not many people who can speak ill of Boss Shao so openly." Xu Ke laughed, "Ah Jun, I see that you have written several scripts of ancient dramas, such as "Wulin Biography", "Bao Bao There are fights in "Blue Sky", and the adaptation of "Chu Liuxiang" is also very classic. But in your mind, how should the word 'Xia' be expressed to move people's hearts the most?"

Hearing these words, before Yin Jun even answered, Wu Siyuan gave Xu Ke a sad look, and I just said a word to Ah Jun, you stole the conversation again!

Yin Jun didn't care about Wu Siyuan, but he was somewhat interested in Xu Ke's words.

In Xu Ke's whole life, he never left the word "Xia".

All his films, whether modern or ancient, explore this spirit.

There are many forms of expression of chivalry, and in Xu Ke's understanding, they are constantly changing.

So your feeling when watching "Black Man" is completely different from the feeling when you are watching "Once Upon a Time".

When I watched "The Knife", it was also different from when I watched "Seven Swords".

"Di Renjie" and "Dragon Inn" are still different.

But they all have one thing in common.

That's - Xia!

The current Xu Ke should only be thinking about it, and has not conducted any substantive discussions, let alone put it into action.

But Xu Ke's ambition has never been short. At this moment, he should have thought of the direction he should work hard in the future.

As a good director, or Xu Ke, who has the potential to be a famous director, he naturally admires Yin Jun as a genius, and the key point is that he has seen Yin Jun's TV series, which are full of Chivalrous spirit, of course I want to discuss with Yin Jun.

If it were another person, with Yin Jun's current achievements, facing such a person who can only be regarded as a cutting-edge producer, he would definitely not be willing to talk so much with him.

But Yin Jun admires Xu Ke very much. This director basically has no bad movies, or has never produced bad movies.

Before Cheng Long became famous, and after he was old, there were still some inexplicable movies, but Xu Ke really didn't.

Even the "New Shushan Swordsman" that made him disgraced, Xu Ke actually made it with his heart, but his accumulation was not enough, and he didn't have enough grasp of the market, so he ended up on the street.

But Mr. Xu never admits defeat. After he became famous, he re-directed a similar "Legend of Shushan" in 2000, hoping to avenge his shame.

It can be seen that this person is very stubborn and very patient.

It has been nearly 20 years and they still have to find their place. How can many people have this patience?

It is precisely because of the excellent qualities that such a director should have that Xu Laoguai can become Xiangjiang's unique eccentric director.

In terms of box office, Mr. Xu may not be the highest. For example, Master Xing's "Mermaid" is almost awe-inspiring.

But when it comes to the discussion of various movies and the innovative use of various technologies, Mr. Xu is absolutely the first in Xiangjiang, and no one can compare.

In his own movies, he also uses these various techniques and techniques to highlight the chivalrous spirit he wants to express, and in turn sublimates the foil of these techniques and techniques through the chivalrous spirit, thus making the movie heavy. , without losing its good looks.

It can be said that Yin Jun knows Xu Ke better than Xu Ke at the moment.

Therefore, in his answer, Yin Jun was also very decent, "Chivalry is a kind of spirit that Chinese people have pursued since ancient times. In ancient times, there was Li Bai's "Let's die a chivalrous bone, not ashamed of being a hero in the world", and today there is Mr. Jin Yong's " The great man of chivalry is for the country and the people'. These are all one aspect of chivalry, and each of us sees them differently. Even everyone, at every age, is right Chivalry can also be seen differently.

In my opinion, the spirit of chivalry, specific to what kind of character you want to create, is not enough to create a chivalrous spirit that suits him based on his personality characteristics. It must also conform to the spirit of his era, and the combination of the two will truly reflect the characteristics of this era and the people living in this era. "

Xu Ke's eyes sparkled when he heard this, "Ah Jun, tell me more! Tell me carefully!"

"Let me give you an example." Yin Jun nodded, "For example, I conceived a story about a chivalrous man in eastern Guangdong——Huang Feihong. We considered that the era Huang Feihong lived in was the end of the Qing Dynasty and the beginning of the Republic of China. In the era of great change, as a traditional martial artist, his chivalrous spirit should not only be manifested in punishing evil and eliminating rape, and safeguarding the rights and interests of the people. It should also carry forward this chivalrous spirit to serve the country and the people .

So we can imagine a scene where Chinese and foreign cultures and martial arts collide together, and the chivalrous spirit of the Chinese people represented by Huang Feihong finally defeated the aggressive invasion intentions of foreigners after untold hardships. But this defeating the enemy is only a narrow aspect and does not have much impact on the overall situation.

Huang Feihong wins but never wins, foreigners lose but never loses, and in turn the winners have to apologize to the losers, and even pay the price. These seemingly absurd things, placed in this chaotic, confused and declining environment, are actually very interesting. is very correct and very practical.

Under such circumstances, what considerations would Huang Feihong have, and what thoughts does he bring to people? What kind of cruelty reflects the sorrow of chivalrous men in this era, but Huang Feihong did not give up, from confusion to pain, to awakening, to trying to change... Isn't this a good way of expression?

When we make movies, we don't just want to express our own meaning, and we don't just want to pass on the spirit of Xia to the audience. What we should do more is to let the audience understand the background of that era when watching this movie, and feel the sadness of "there is no way to serve the country, and there is no way to kill thieves"!

But we can't let the pessimism continue. The expression of hope in despair gives us the spirit of exploration and change, so as to change the world and let people have a better life! Isn't this the chivalrous behavior of Huang Feihong, which can bring us the best kind of comfort and inspiration? "

"Good! Good! Good!!!"

Xu Ke was trembling all over when he heard this, he could no longer control his excitement.

What Yin Jun said was not only what he was thinking about, but also many things that he had never considered.

Yin Jun's words seemed to open a window for him, allowing him to see clearly the direction of his future efforts.

At this moment, Xu Ke couldn't say any more words, and even when he left, he was a little dazed. If it wasn't for Shi Lansheng who led him, he probably wouldn't even know the way home.

Originally, Wu Siyuan specially invited Yin Jun to dinner, but Xu Kelai was just as a companion.

Unexpectedly, not only Xu Ke himself took up most of the time, but also the accompanying guest—Shu Qi, also took up a lot of time. As a result, Wu Siyuan himself hardly said a few words to Yin Jun except for the opening.

This made Wu Siyuan a little depressed.

But after sending off Xu Ke and the others, he still asked Yin Jun another matter, "Ah Jun, do you think this Xu Ke is reliable?"

"Brother Yuan, what do you mean..." Yin Jun looked at him questioningly.

"To tell you the truth, I think Xu Ke's works have a strong aura, they are very thoughtful, and they also make people's eyes shine." Wu Siyuan said, "So I wondered whether I should poach him here."

Yin Jun laughed in his heart.

In the history of the previous life, Wu Siyuan immediately brought Xu Ke under his command after Jiashi went bankrupt, and asked Xu Ke to film his own "Butterfly Change", and then made two more films that were neither popular nor popular. Therefore, Wu Siyuan gave up on Xu Ke.

Coincidentally, New Art City lacked talents at this time, so Mecca and the others invited Xu Ke to New Art City, and then Xu Ke changed hands and filmed the well-received and box office hit "Ghost Horse Zhi Duo Xing", which grossed nearly 7.5 million at the box office. He became famous, and since then he has truly embarked on his own path as a film geek.

Wu Siyuan has a good vision, but he meets Xu Ke who has not yet formed.

And his small company couldn't accommodate Xu Ke to do a lot of experiments—even Jiahe was almost killed by Old Monster Xu's "New Shushan Swordsman".

Therefore, the cooperation between the two is doomed to fail.

"Xu Ke is still very talented." After weighing the balance, Yin Jun could only say: "But according to my feeling, he has too many ideas. If he can think through these ideas, he must be a good director .”

Wu Siyuan's eyes lit up, "It's good to have an idea! Only an idea can make a good movie!"

When he said that, Yin Jun couldn't persuade him.

In this world, talents are always rare.

Wu Siyuan thinks that he has found a piece of jade in the rough, and whoever wants to dissuade him will think that you also have ideas, which is not good.

Besides, Xu Ke did not cause much loss to Wu Siyuan.

The movie made money and lost money, and it was also a lesson for Wu Siyuan, so that he will be more pragmatic in the future, which is a good thing.

Yin Jun's position for Wu Siyuan in the future is not the boss of a film company, but a film pioneer who goes to the mainland to develop!

(This chapter is written with great care. This is Xiucai's understanding of Xu Ke's films. I hope you will like it.)